从音乐表意的角度看西方早期器乐语汇的形成

发布时间：2019-06-10 17:35

【摘要】：器乐往往因为其非语义性的、非视觉的特点而被认为是一种“无意义表现”的音乐形式。本文试图立足于“音乐表意”的视角，考察文艺复兴后期到巴罗克时期的早期器乐作品中的器乐语汇。全文共分为三章进行论述。第一章首先对古希腊时期到文艺复兴时期的表意功能和手法进行了回溯，展示音乐在综合艺术、宗教崇拜、世俗生活中的反映及其表意特征。从中发现，表意的观念一直存在于音乐发展的完整历史过程之中。器乐是在高度繁荣的综合艺术体裁之中产生和发展起来的。在此基础上，第二章着力探析器乐语汇的生成过程及其与综合艺术体裁之间的渊源关系。本文提出，在器乐语汇的形成中借鉴和吸收了来自歌曲和舞曲的表意手法，并携带着其中的表意特征。早期器乐语汇的常见类型有三种，即音乐修辞学影响的语气、语态化的语汇、与绘词法一脉相承的音画式语汇以及源自舞曲的情调式语汇。这些早期器乐语汇为后世器乐的发展提供了可供借鉴的素材来源，对器乐创作思维产生了影响。文中通过大量巴罗克时期的作品实例，分析论证了上述观点。文章最后对早期器乐语汇的遗存与影响作了进一步的探讨。早期器乐语汇在历史发展中会有所变异，，其中的表意信息也会部分地丢失，以致妨碍了听者对作品意义的理解。通过对这些早期器乐语汇的梳理，有助于更全面地感受、理解西方器乐作品。同时，也在一定程度上修正对“器乐作品不具有表意性”的错误解读。
[Abstract]:Instrumental music is often regarded as a kind of "meaningless expression" because of its non-semantic and non-visual characteristics. Based on the perspective of "musical expression", this paper attempts to examine the vocabulary of instrumental music from the late Renaissance to the early instrumental works of the Baroque period. The full text is divided into three chapters to discuss. The first chapter first traces the ideographic functions and techniques from ancient Greece to Renaissance, and shows the reflection and ideographic characteristics of music in comprehensive art, religious worship and secular life. It is found that the concept of idealism has always existed in the complete historical process of music development. Instrumental music is produced and developed in a highly prosperous comprehensive artistic genre. On this basis, the second chapter focuses on the formation process of instrumental vocabulary and its relationship with the comprehensive artistic genre. This paper points out that in the formation of instrumental vocabulary, it draws lessons from and absorbs ideographic techniques from songs and dance music, and carries its ideographic features. There are three common types of early instrumental vocabulary, namely, the mood influenced by music rhetoric, the grammatized vocabulary, the phonological vocabulary which is in line with the painting method, and the emotional vocabulary derived from dance music. These early instrumental vocabulary provide a source of material for the development of instrumental music in later generations and have an impact on the creative thinking of instrumental music. Through a large number of examples of Baroque works, this paper analyzes and demonstrates the above views. Finally, the paper makes a further discussion on the remains and influence of the vocabulary of early instrumental music. The vocabulary of early instrumental music will vary in the historical development, and the ideographic information will be partly lost, thus hindering the listener's understanding of the meaning of the work. Through the combing of these early instrumental music vocabulary, it is helpful to feel and understand the western instrumental music works more comprehensively. At the same time, to a certain extent, it also corrects the wrong interpretation of instrumental works.
【学位授予单位】：星海音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J609.1

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