拂去历史的尘埃——米亚斯科夫斯基《第十一交响曲》内涵及艺术特色简析
发布时间：2019-06-17 13:55
【摘要】：20世纪30年代,苏联作曲家米亚斯科夫斯基同时创作的两部交响曲经历了完全不同的命运。其中,《第十二交响曲》因得到苏联官方的意识形态的认同和赞誉,则遭到当代欧美学界普遍的诟厉和轻视。而《第十一交响曲》由于资料贫乏,在国内外都被普遍地忽略了。本文在浏览近半个世纪以来国际学界整理、出版的新旧史料文献的基础上,结合《第十一交响曲》的音响聆听和乐谱文本解析,试归纳其艺术特色,力求揭示该作品所呈现的真实内涵。
[Abstract]:In the 1930s, the two symphonies of the Soviet composer, Miyakovsky, underwent a completely different fate. Among them, the 12 symphonies, which have been recognized and praised by the ideology of the Soviet Union, have been more and more despised by the contemporary European and American academic circles. The <11 symphonies> are widely ignored both at home and abroad due to the lack of information. On the basis of the literature of the new and old historical materials that have been organized and published by the international academic circles in the past half a century, the author tries to find out the real connotation of the works by combining the sound listening and music score text analysis of the <11 symphonies>.
【作者单位】： 中央音乐学院;
【分类号】：J614.3
[Abstract]:In the 1930s, the two symphonies of the Soviet composer, Miyakovsky, underwent a completely different fate. Among them, the 12 symphonies, which have been recognized and praised by the ideology of the Soviet Union, have been more and more despised by the contemporary European and American academic circles. The <11 symphonies> are widely ignored both at home and abroad due to the lack of information. On the basis of the literature of the new and old historical materials that have been organized and published by the international academic circles in the past half a century, the author tries to find out the real connotation of the works by combining the sound listening and music score text analysis of the <11 symphonies>.
【作者单位】： 中央音乐学院;
【分类号】：J614.3
【共引文献】
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