巴托克两部钢琴作品的比较研究
发布时间：2019-07-01 17:05
【摘要】： 贝拉·巴托克(Bela Bartok,1881-1945)是匈牙利杰出的作曲家,民俗音乐学家及钢琴家,是20世纪最强有力的音乐天才之一。他从民间音乐中发现真正的创作源泉,并把自己的创作根植其中,以高超的技巧将民间音乐与西方古典、现代技法融为一体。 巴托克的钢琴作品形式多样,极富个性。对接触和了解20世纪的钢琴音乐有重要意义。本文选取巴托克不同创作时期的两部钢琴作品《钢琴小曲14首》、《六首保加利亚节奏舞曲》,以文献参考和理论分析为主要研究方法,结合自己的学习实践,分别对两部作品进行作曲技法与演奏方面的分析。从作品的和声、调式、节奏方面探析其创作特点与风格,从中显示出巴托克不同时期创作手法的转变以及对民间音乐联系的逐步紧密;从演奏分析中揭示巴托克敲击性手法的运用,他把钢琴作为了一种打击乐器和节奏乐器,改变了人们把钢琴通常作为旋律性乐器的习惯,大大扩展了钢琴的表现力。在论文的最后,针对《钢琴小曲14首》和《六首保加利亚节奏舞曲》进行了比较研究,总结两部作品的相同与不同处,并深入的从音乐创作的审美意识方面探究其不同的创作特征。 通过本文的写作,笔者希望借助对《钢琴小曲14首》和《六首保加利亚节奏舞曲》的分析与研究,一方面能够展现巴托克独特的创作思想与音乐风格,另一方面也为实际的钢琴教学提供一个参考,扩展了钢琴教学的视野,充实了钢琴教学的曲库,使钢琴学习者的学习内容更加丰富多彩。
[Abstract]:Bela Bartok (1881-1945) is one of the most powerful musical genius in the 20th century. He discovered the real source of creation from the folk music, and rooted his own creation in it, and combines the folk music with the western classical and modern techniques with a great skill. Bartok's Piano Works A variety of forms, with a rich personality. For contact and understanding of the 20 th century The piano music is of great significance. In this paper, the two piano works of the different creative period of Bartock are selected. In combination with their own learning practice, the two works are composed of composing techniques, respectively. The analysis of the method and performance of the works is to explore the characteristics and style of the writing from the aspects of the works and the sound, the mode and the rhythm, and to show the transition of the creative methods in the different period of the Bartock and the gradual and close relation to the folk music; and to reveal the baatar from the performance analysis. The use of a striking technique, which, as a percussion instrument and a rhythm instrument, has changed the habit of people to use the piano as a musical instrument. The expression of the piano is extended. At the end of the paper, a comparative study is made on the "Piano Sonata 14" and the "six-head Bulgarian rhythm dance". The same and different parts of the two works are summarized and the aesthetic consciousness of the music creation is deeply discussed. Through the writing of this paper, the author hopes to present the unique creative thought and the music style of Bartok with the help of the analysis and research on the "piano music 14" and the "six-head Bulgarian rhythm dance". On the other hand, it also provides a reference for the actual piano teaching, extends the visual field of the piano teaching, and enriches the music of the piano teaching.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1
本文编号：2508651
[Abstract]:Bela Bartok (1881-1945) is one of the most powerful musical genius in the 20th century. He discovered the real source of creation from the folk music, and rooted his own creation in it, and combines the folk music with the western classical and modern techniques with a great skill. Bartok's Piano Works A variety of forms, with a rich personality. For contact and understanding of the 20 th century The piano music is of great significance. In this paper, the two piano works of the different creative period of Bartock are selected. In combination with their own learning practice, the two works are composed of composing techniques, respectively. The analysis of the method and performance of the works is to explore the characteristics and style of the writing from the aspects of the works and the sound, the mode and the rhythm, and to show the transition of the creative methods in the different period of the Bartock and the gradual and close relation to the folk music; and to reveal the baatar from the performance analysis. The use of a striking technique, which, as a percussion instrument and a rhythm instrument, has changed the habit of people to use the piano as a musical instrument. The expression of the piano is extended. At the end of the paper, a comparative study is made on the "Piano Sonata 14" and the "six-head Bulgarian rhythm dance". The same and different parts of the two works are summarized and the aesthetic consciousness of the music creation is deeply discussed. Through the writing of this paper, the author hopes to present the unique creative thought and the music style of Bartok with the help of the analysis and research on the "piano music 14" and the "six-head Bulgarian rhythm dance". On the other hand, it also provides a reference for the actual piano teaching, extends the visual field of the piano teaching, and enriches the music of the piano teaching.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J624.1
【引证文献】
相关硕士学位论文 前5条
1 查力蒙;巴托克三套钢琴组曲的民间因素研究[D];上海音乐学院;2011年
2 张静;巴托克《第三钢琴协奏曲》研究[D];山东师范大学;2012年
3 康长安;施尼特凯《钢琴五重奏》创作技法研究[D];河南大学;2007年
4 刘利剑;论巴托克音乐创作风格[D];东北师范大学;2007年
5 张健;匈牙利民族文化之魂[D];湖南师范大学;2012年
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