当前位置:主页 > 文艺论文 > 摄影论文 >

论社交网络时代中的影像生产关系

发布时间:2018-05-07 09:49

  本文选题:影像 + 社交网络 ; 参考:《鲁迅美术学院》2017年硕士论文


【摘要】:传统的社交方式受到网络冲击导致出现新型的社交方式即网络社交。在这种社交方式中影响了影像的生产关系。本文研究的正是社交网络时代下影像生产关系。本文大致分为三部分:第一章阐述了影像生产在不同时期与社交的关系。追溯到手工绘画时期影像生产关系,原始社会人类把图像和符号作为与神进行沟通交流的一种方式,早期的“影像”是作为描绘自然景物和现实生活的图像。到了文艺复兴时期透视法发明以来,像画家凡戴克、卡拉瓦乔、伦勃朗等更注重写实写照,是受人文主义思想和科学技术为核心的影响。伴随着胶片问世数码相机的出现,会使用、拥有相机的人越来越多,“影像”垄断被打破。电视、电影工业的发展同时也为平面静态、动态影像增添色彩。人的观看方式、社交方式也出现了多样化。数字技术促使网络社交的出现,像Google、Facebook、instagram,各大网站为人们提供一个很好的交流平台,人们可以进入贴吧留言发帖子。第二大章主要研究社交网络时代下影像生产出什么类型的影像。社交网络时代进入一个全新的数字媒体时代,影像生产更是大规模快速的走进我们的生活,其中出现了“网红”艺术家,职业社交摄影艺术家,影像生产在这个时代被颠覆,影像多元化的生产更符合这个时代的发展需求。第三章社交网络时代影像民主化,社交媒体的出现使影像传播与交流更加方便,影像的生产者更加自由,影像创作更加民主化,人人可以利用社交网络平台中的“影像”做艺术。总之,在社交网络时代下,影像的生产关系多元化、人人都可以成为艺术家。影像已经成为人们自由表达的工具。
[Abstract]:The traditional social way is affected by the network, resulting in the emergence of a new type of social mode, that is, social networking. In this way of social interaction, the image of the relations of production. This paper studies the relationship of image production in the era of social network. This paper is divided into three parts: the first chapter describes the relationship between video production and social interaction in different periods. Tracing back to the relations of image production in the period of manual painting, people in primitive society regarded images and symbols as a way to communicate with gods, and the early "images" were images depicting natural scenery and real life. Since the invention of perspective in the Renaissance, painters such as Van Dyke, Caravaggio and Rembrandt paid more attention to realistic portrayal, which was influenced by humanism and science and technology. With the advent of film, digital cameras will be used, more and more people have cameras, the "image" monopoly has been broken. The development of TV and film industry also adds color to plane static and dynamic images. People's way of viewing, social ways have also appeared a variety. Digital technology has led to the emergence of social networks such as Google Facebook and instagram. websites provide a great platform for people to communicate, and people can enter post bars to post and post. The second chapter focuses on what types of images are produced in the era of social networks. The era of social network has entered a new era of digital media, and image production has come into our lives on a large scale and quickly. Among them, "internet celebrities" and professional social photography artists have emerged, and the production of images has been subverted in this era. Image diversification of production more in line with the needs of the development of this era. Chapter three: the democratization of images in the era of social network, the appearance of social media makes image dissemination and communication more convenient, the producers of images freer, and the creation of images more democratic. Everyone can make use of the "image" in the social network platform for art. In short, in the social network era, the production of the image is diversified, everyone can become an artist. Images have become a tool for people to express freely.
【学位授予单位】:鲁迅美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J405

【参考文献】

相关重要报纸文章 前1条

1 宋晓刚;;摄影师如何从社交网络中受益?[N];中国摄影报;2013年



本文编号:1856445

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/sheyingyishulunwen/1856445.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户5a49f***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com