重庆仿古建筑形态与装饰研究

发布时间：2018-06-16 18:51

本文选题：重庆 + 仿古建筑　；参考：《重庆师范大学》2014年硕士论文

【摘要】：近代以来，重庆的建筑风貌呈现出两方面发展的格局。一面是在国际建筑文化冲击下，强调与时俱进和体现经济繁荣的现代建筑；一面是强调体现民族文化的思想内容和彰显对地域建筑特征传承的传统建筑。在两方面需求的驱动下，仿古建筑这种“似古实今”的新型建筑形式便运应而生。它既能满足现代人对大空间、多功能以及复合结构的现实需要，又满足人们怀古思旧的传统情怀。笔者认为，传统建筑中凝聚了民族的精神，沉淀着民族的文化，人们通过回望历史，怀念历史，能够更真切地看懂现实，更明确地规划未来。本文以重庆现代吊脚楼形式的仿古建筑为主要研究对象。通过实地调研、对比研究及绘图分析等方法，首先从地理、历史、文化、经济、以及现代城市的趋同发展五个角度地对该地区仿古建筑的形成背景进行了分析和论证。提出了仿古建筑发展中出现的两点问题，即仿古建筑设计中缺乏文化内涵和现代元素对仿古风格造成的不协调问题。仿古建筑的形态在沿袭传统的同时，又有所创新。不仅建筑的布局方式多样，其形态构成也呈现出丰富的姿态。现代建筑材料与传统木材的综合运用，为设计者提供了广阔的创作空间，使仿古建筑的平面跨度、空间高度和檐部的延伸提供了更多的可能。建筑装饰作为建筑的重要组成部分，本文探讨了建筑装饰对于建筑的三方面意义。笔者对仿古建筑中部分装饰内容的分析，认为仿古的装饰是将多种风格杂糅，出于为了装饰而装饰的目的来设计。此外，雕饰多为机械化预制，，这样既缩短了制作工期，又便于后期维护。综合本文多方面的论述，旨在说明现代仿古建筑与传统建筑已经完全发生改变，希望建议人们在对仿古建筑进行审美评价时，勿一味地照搬传统评判标准或审美模式，要兼顾以发展的眼光来看待现代仿古建筑。
[Abstract]:Since modern times, the architectural style of Chongqing has presented a pattern of two aspects of development. On the one hand, under the impact of international architectural culture, it emphasizes the modern architecture that keeps pace with the times and reflects the economic prosperity; on the other hand, it emphasizes the ideological content of the national culture and the traditional architecture which shows the inheritance of the regional architectural characteristics. Driven by the demand of two aspects, the new architectural form of "ancient reality and present" comes into being. It can not only meet the practical needs of modern people for large space, multi-function and composite structure, but also meet the traditional feelings of nostalgia. The author believes that the traditional architecture embodies the spirit of the nation and precipitates the culture of the nation. By looking back at history and nostalgia for history, people can understand reality more truthfully and plan the future more clearly. This article takes Chongqing modern hanging-foot building as the main research object. By means of field investigation, comparative study and drawing analysis, this paper first analyzes and demonstrates the formation background of ancient architecture in this area from five angles of geography, history, culture, economy and the convergence and development of modern cities. This paper puts forward two problems in the development of archaic architecture, that is, the lack of cultural connotation in the design of archaic architecture and the incongruity caused by modern elements to the archaic style. The form of archaic architecture follows the tradition, but also innovates. Not only the layout of the building is diverse, its form is also showing a rich posture. The comprehensive use of modern building materials and traditional timber provides a wide creative space for designers and provides more possibilities for the extension of the plane span, spatial height and eaves of ancient buildings. As an important part of architecture, this paper discusses the three aspects of architectural decoration. Based on the analysis of some decoration contents in the archaic architecture, the author thinks that the decoration is a mixture of various styles and is designed for the purpose of decoration. In addition, engraving for mechanized prefabrication, so that not only shorten the production period, but also convenient for later maintenance. The purpose of this paper is to show that modern antiquated architecture and traditional architecture have completely changed. It is hoped that people should not blindly copy the traditional evaluation standard or aesthetic model when evaluating the antiquated architecture. To take into account the development of the vision to look at modern antiquated architecture.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU-86;TU238

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