郑板桥书法艺术研究

发布时间：2018-01-09 20:30

本文关键词：郑板桥书法艺术研究　出处：《山东师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：郑板桥（1693——1765），字克柔，号板桥，扬州兴化人，清代中期书画家、文学家，活动于清康熙到乾隆年间，康熙秀才、雍正举人、乾隆进士，以诗书画“三绝”著称于世，“扬州八怪”代表人物之一。其书法变革意向鲜明，在继承传统的基础上，吸取碑与帖的精华，侧重取法金石碑板，对汉字字形进行夸张、变形，找到了书画同理的客观规律和创作途径，别树一帜地创造出了前无古人、后启来者的崭新书体——“六分半书”。这种创格和变体，以隶楷行草四体相参，加入兰竹笔意，特色鲜明，又称“板桥体”。郑板桥所处的时代，正是碑帖根本性转换的迷茫与探索时期，帖学书风发展到顶峰并出现穷途末路的征兆，碑学书风开始萌芽。郑板桥作为传统书风的反叛者，不肯随波逐流附和帖学书风，积极探索，大胆创新，成为近代碑学的先声，对后世碑学理论和实践产生重要影响。郑板桥凭借其特有的艺术风格，在中国书法史上留下了浓墨重彩的一笔。“六分半书”以其独特性、创造性、思想性、时代性，给后世提供了一份极其丰富、珍贵的遗产。郑板桥敢于超越时代的叛逆、创新精神是书法艺术的灵魂，，是中国书法几千年来绵绵不断发展演变的源头活水。本文第一章阐述了郑板桥书风形成的社会背景，即郑板桥书风形成的客观原因，主要包括扬州地区的社会文化背景和清初书风。一方面，分析了雄厚的经济基础、浓厚的文化氛围、优越的地理位置、广泛的市民阶层等因素，使扬州在清代前中期发展成东南一带文化艺术最为繁盛和活跃的地区，促进了扬州艺术市场的形成，书画氛围日益浓厚、书画商品化倾向日益凸显，为郑板桥书法艺术风格的形成奠定了社会基础。另一方面，介绍了清初陈陈相因的帖学书法危机。第二章论述了郑板桥的书论美学思想和书风特征。一方面，本章从散见于其诗词、书信、题跋中，概括出其精辟、独到的见解，涉及到郑板桥创作、鉴赏、批评各个方面，即书法取法对象和审美取向的熔铸古今、标新立异，书法创作的独抒性灵、师心自用，书法批评的人品书品、相得益彰，反映了板桥对书法艺术的深刻理解和敏锐领悟。另一方面，本章总结了板桥楷书、草书、隶书、六分半书的审美特征，对六分半书名称的由来、主观成因、艺术特征进行了详细论述。第三章分析了郑板桥书法与碑学兴起的关系。清初，陈陈相因的帖学书法出现危机，扬州，特殊的文化氛围使大批学者和艺术家汇聚于此，在碑帖根本性转换时期发挥了重要作用。而郑板桥是碑帖根本性转换、由前碑派兴起到碑派发展时期，以碑破帖的先导和典型，是近代碑学的先声，对碑学的实践和理论产生了重要影响。实践方面，邓石如、伊秉绶、吴昌硕在篆、隶书法上，成就斐然，成为碑派书法的典范。理论方面，以阮元确立碑学理论为开端，经过包世臣、康有为的大肆鼓吹、推波助澜，碑学理论逐步完善。第四章总结了郑板桥书法的历代评价、影响和其书法对当下书坛的启示。对于“六分半书”即“板桥体”的评价历来众说纷纭。郑板桥书法在继承与创新，文化滋养笔墨，诗书画相互交融，对比、尚奇求怪与当下展厅效应下的视觉冲击方面给当下书坛以启示。
[Abstract]:Zheng Banqiao (1693 - 1765), the word Rou, No. Yangzhou Banqiao, Xinghua, in the middle of Qing Dynasty painter, writer, active in the Qing emperor Kangxi to Qianlong, Kangxi Yong Zheng scholar, Juren, Jinshi Qianlong, in poetry and painting "Sanjue" known to the world, the "Eight Wonders of Yangzhou" is one of the representatives of the calligraphy. The distinctive change intention, on the basis of inheriting the tradition, absorb the essence of Bei with tie, the stone tablet on board, the Chinese characters font for exaggeration, deformation, and found similarly the objective law and the ways of creation, to set up a new banner created unprecedented and unrepeatable, new style - six and a half this book. "Chuangge and variants, with Li Kai cursive four coherent, adding orchid and bamboo styles, distinctive features, also known as the" bridge ". The era of Zheng Banqiao, it is about fundamental transformation of the confusion and exploration period, calligraphy book wind reached its peak and the emergence of the dead The end of the sign, calligraphy book wind began to sprout. Zheng Banqiao as a traditional book wind rebels refused to drift with calligraphy book style, active exploration, bold innovation, become the precursor of modern calligraphy, have an important impact on the theory and practice of calligraphy. Zheng Banqiao later with its unique artistic style in calligraphy, Chinese history has left a thick and heavy in colours. "The six half of the book" with its unique, creative, thinking of the times, to the later provides a rich, precious heritage. Zheng Banqiao dare to go beyond the age of rebellion, the spirit of innovation is the soul of the art of calligraphy, calligraphy is the springhead China for thousands of years of continual development and evolution.
The first chapter introduces the social background of the formation of Zheng Banqiao wind, objective reasons that Zheng Banqiao wind formed, mainly including the Yangzhou area social and cultural background and the Qing Dynasty calligraphy style. On the one hand, analyzes the strong economic foundation, strong cultural atmosphere, excellent geographical location, extensive public sectors and other factors, the Yangzhou in the middle of the Qing Dynasty developed into the most prosperous and active areas of the southeast of Arts and culture, promote the formation of Yangzhou art market, art atmosphere increasingly strong, and commercialization tendency has become increasingly prominent, laid the social foundation for the formation of Zheng Banqiao's calligraphy art style. On the other hand, the Qing Dynasty calligraphy calligraphy follow an old routine. The crisis.
The second chapter discusses Zheng Banqiao's calligraphy esthetics thought and the calligraphy style characteristics. On the one hand, this chapter reflected in his poems, letters, inscriptions, summarizes the brilliant insights, involves Zheng Banqiao creation, appreciation and criticism in all aspects, casting the object is ancient, calligraphy and aesthetic orientation new in order to be different. The calligraphy creation of lyric spirit, the character of calligraphy criticism not willing to listen to advice, shuppim, complement each other, reflect the bridge on the art of calligraphy, profound understanding and keen insight. On the other hand, this chapter summarizes the Banqiao regular script, cursive script, official script, aesthetic features of the six half of the book, the origin of the six half of the book, the name of the subjective causes and art features are discussed in detail.
The third chapter analyzes Zheng Banqiao's calligraphy and epigraphy. The rise of the early Qing Dynasty, the calligraphy calligraphy follow an old routine crisis, Yangzhou, the special cultural atmosphere to a large number of scholars and artists gathered here, play an important role in a fundamental transformation period. And Zheng Banqiao is the fundamental transformation of the rubbings, beipai rise to the monument school development period, to break the pilot and the typical post monument, is a precursor of modern calligraphy, has an important influence on the theory and practice of calligraphy. In practice, Deng Shiru, Yi bingshou, Wu Changshuo Zhuan, Li law, achievements, and become a model of tablet calligraphy. In theory, the establishment of the monument ruanyuan the theory of the beginning, after Bao Shichen, Kang Youwei trumpeted, fueled, calligraphy theory was gradually improved.
The fourth chapter summarizes the evaluation of the calligraphy of Zheng Banqiao, and the influence of the Enlightenment of calligraphy on contemporary calligraphers. For the six half of the book "or" evaluation board body ". Zheng Banqiao always Public opinions are divergent. calligraphy in the inheritance and innovation of culture, text, poetry and painting, contrast each other, still odd and the present Hall effect for blame the visual impact to the contemporary calligraphers with inspiration.

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J292.1

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