写意处的内敛精神

发布时间：2018-02-02 17:56

本文关键词： 篆刻艺术整体格局印面临写汉印形式语言汉魏视觉形式 　出处：《中国书法》2013年10期 　论文类型：期刊论文

【摘要】：正张公者目前的篆刻风格是多种素材的融合,他渴望运用相互之间或有抵触的因素有机的杂糅在一起,使之成为为我所独有的一种存在。在当代篆刻艺术创作的阵营里,张公者一直都是参与者,在创作自己风格的同时,他也接受了其他同道积极的探索的成果,这首先表现在形式语言的锤炼上面,对倡言大写意篆刻创作者在视觉形式方面所取得的有借鉴价值的经验他毫不回避的加以汲取。他的篆刻创作并有完全脱离开汉印的整体格局,但从明清以来印外求印的创作方法论给予了他启示,汉魏隋唐石刻的碑额中那种拙朴天真、厚重古朴的文字风格深深地打动了他,之后他不仅用毛笔去临写同时也尝试将之引入印面。
[Abstract]:Zhang Gong's current seal cutting style is the fusion of various materials, he is eager to use mutually or conflict factors organic mixture together. Make it a unique existence for me. In the camp of contemporary seal cutting art creation Zhang Gong has always been a participant in the creation of his own style at the same time he also accepted other colleagues active exploration results. This is first manifested in the practice of formal language. To advocate the speech big freehand brushwork seal engraving creator in the visual form aspect has the reference value experience he has not evaded to draw lessons. His seal cutting creation and has completely separated from the Han Dynasty printing overall pattern. However, since the Ming and Qing dynasties, the creative methodology of seeking printing from the outside gave him inspiration. He was deeply moved by the simple and naive style of writing in the stone inscriptions of the Han, Wei, Sui and Tang dynasties. After that, he not only wrote with a brush, but also tried to introduce it into the print.
【分类号】：J292.4
【正文快照】： 张公者目前的篆刻风格是多种素材的融合,他渴望运用相互之间或有抵触的因素有机的杂糅在一起,使之成为为我所独有的一种存在。在当代篆刻艺术创作的阵营里,张公者一直都是参与者,在创作自己风格的同时,他也接受了其他同道积极的探索的成果,这首先表现在形式语言的锤炼上面,对

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