高凤翰书法的审美追求

发布时间：2018-02-03 06:22

本文关键词： 高凤翰尧民书画篆刻南阜莱州府郑| 郑谷口书风淳化阁帖仲威 　出处：《中国书法》2012年09期 　论文类型：期刊论文

【摘要】：正高凤翰(一六八三—一七四九),山东莱州府胶州人,生于清康熙二十二年,卒于清乾隆十三年。字仲威,亦字西园,号南村,[1]乾隆之初更字尧民,号南阜,别署甚多,为清中前期诗人、书画家、篆刻家。右手书法时期高凤翰的书画篆刻以乾隆二年(丁巳,一七三七)病患为界,分为前后两个不同的阶段,前半段的右手作品潇洒自得,后半生改用左手,风格变为奇崛生辣。这个简单的分类方法,也基本适用于对他题画书法的分期在。目前公开的资料和文献中所见高凤翰最早的书迹就是他的绘画题款,即青岛市博物馆藏高凤翰康熙
[Abstract]:Zhenggao Fenghan (1683-1749, Jiaozhou, Laizhou Prefecture, Shandong Province, born 22 years in the Qing Dynasty Kangxi, died in the Qing Dynasty Qianlong 13 years. [At the beginning of Qianlong the word Yao Min, no. Nanfu, and many other agencies, for the early Qing Dynasty poet, painter, seal carver. The right hand calligraphy period Gao Fengghan calligraphy and seal engraving in Qianlong two years (Ding si, 1737) patients as the boundary. Divided into two different stages before and after, the first half of the right hand works chic satisfaction, the second half of the use of the left hand, style into a strange rise hot. This simple classification method. Is also basically applicable to his painting calligraphy in the period. At present, the information and literature found in the earliest writings of Gao Fenghan is his painting title, that is, the Qingdao museum collection of Gao Fenghan Kangxi
【作者单位】：北京大学哲学系;
【分类号】：J292.1
【正文快照】： 高凤翰(一六八三—一七四九),山东莱州府胶州人,生于清康熙二十二年,卒于清乾隆十三年。字仲威,亦字西园,号南村,[1]乾隆之初更字尧民,号南阜,别署甚多,为清中前期诗人、书画家、篆刻家。右手书法时期高凤翰的书画篆刻以乾隆二年(丁巳,一七三七)病患为界,分为前后两个不同的

【共引文献】