书法的设计性与设计的书法元素

发布时间：2018-02-04 02:46

本文关键词： 传统书法现代设计载体和流程精神内核　出处：《武汉理工大学》2010年硕士论文　论文类型：学位论文

【摘要】：本文从书法的含义入手,探讨了书法创作中的设计性及现代设计中的书法元素的运用,文章一共分6个章节,每章节内容依次是：书法的含义、书法的实用功能、金石书法中的设计、毛笔书写中的设计、设计中的书法——道与器的融合与借鉴、书法与现代设计结合的成功范例的分析。文章研究的目的是理清书法存在的真正意义及和设计不可分割的关系。书法是中国(及少数东方国家)特有的以文字为素材的艺术门类,它伴随汉字书写而产生和发展,它伴随着中华文化的诞生并同步发展,它是中华文明的不可分割的组成部分。我们完全可以把中国书法看成是一种具有独特视觉美感的“文化”形态,也是一种可以从其表意功能之外抽离其审美功能而单独加以欣赏的“艺术”样式。我们再来看中国的设计,中国正统的设计行业与设计理念在近代由西方传入,不论是古老的“工艺美术”,或是现在各个新兴门类的“视觉传达设计”,都是通过某种“设想”和“计划”,经过个体或不同规模的社会群体的活动——集物质与精神、科学与艺术于一体的活动——在一系列体力脑力运作后,成为产品或服务,影响和改变着人们的生存状态及社会文化的进程。到如今,中国悠久的物质文明和精神文明的传承,一刻也不能脱离设计而存在。书法实际上是为单个或多个文字本身以及这些文字在所依附的载体上的表现形态所进行的设计。这其中的设计因素,在中国历代书法作品中,也各自有着很不相同的体现,特别是和历代书法的物质载体联系起来看问题,使我们认识到,我们一般看到的很多“书法作品”,其实都是需要一系列差别极大的“配套措施”,才能进行真正的“书写”这一程序的。而这些,都离不开和“设计”的联系。书法是被边沿化了,但是书法的作用、书法的价值却没有被边沿化。而现代设计,即是其体现价值的重要载体之一。
[Abstract]:Starting with the meaning of calligraphy, this paper discusses the design of calligraphy creation and the application of calligraphy elements in modern design. The article is divided into six chapters, each chapter content in turn is: the meaning of calligraphy. The practical function of calligraphy, the design of gold and stone calligraphy, the design of brush writing, the combination and reference of calligraphy-Tao and apparatus in design. The purpose of this paper is to clarify the real meaning of calligraphy and its inseparable relationship with design. Calligraphy is a Chinese (and a few oriental countries) unique to the text as the material of the art category, it accompanied by the writing and development of Chinese characters, it is accompanied by the birth and development of Chinese culture. It is an integral part of Chinese civilization. We can completely regard Chinese calligraphy as a "cultural" form with unique visual aesthetic sense. It is also a kind of "art" style which can be appreciated separately from its aesthetic function. Let us take a look at Chinese design. Chinese orthodox design industry and concept were introduced from the West in modern times, whether it is the ancient "arts and crafts", or the "visual communication design" of various emerging categories. It is through some kind of "vision" and "plan" that through the activities of individuals or social groups of different sizes-activities that integrate matter and spirit, science and art-after a series of physical and mental functions. Becoming a product or service influences and changes people's living state and the process of social culture. Nowadays, China's long material civilization and spiritual civilization can not exist without design. Calligraphy is actually for the single or more characters themselves and the form of expression of these characters in the carrier attached to the design of the elements, in the past Chinese calligraphy works. Also has very different embodiment, especially with the past dynasties calligraphy material carrier to look at the question, causes us to realize, we generally see many "calligraphy works". In fact, they all need a series of different "matching measures" to carry out the real "writing" program, and these are all inseparable from the "design" link. Calligraphy is border, but the function of calligraphy, the value of calligraphy has not been marginal, and modern design is one of the important carriers of its value.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J292.1

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