作为二维平面艺术的书法在符号学中的应用价值

发布时间：2018-02-25 01:13

本文关键词： 二维平面书法符号计白当黑虚实相生　出处：《东北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：书法是中国的传统文化形式，，书法的自身性质以及点线面在作品中的体现充分的说明了书法是二维平面艺术，本文在西方的符号学与书法之间寻找共性，总结了书法符号的特性以及在二维平面范畴内对符号学的影响。书法符号在二维平面设计中的应用结合了书法中“计白当黑”“虚实相生”的一些理论特点，单纯在表现形式上对平面设计理念有指导性的影响。书法符号在符号学的语境下，为二维的图案符号注入了中国文化的血液，虽然书法符号的文化背景与形成过程比较独特，但是它身兼艺术性与符号性同时在文字象形方面书法符号也有自身的特点，这些特点都是影响二维符号的因素。本文以分析法，文献调查法，跨学科研究法综合分析了书法与符号之间的共性，利用书法理论结合平面设计案例阐述书法象形性与虚实相生的理论价值。作为美学符号的书法，通过“为艺术而艺术”的过程，实现“能指”和“所指”也就是汉字艺术形态和精神意蕴的同构，书法的符号性质与符号学的理论要求达到统一。在这样的背景下本文将深入研究作为二维的书法艺术与符号学的关系，中国的“艺术化文字”与西方拼音符号做同一层面的研究，取其共性，虽然在不同的文化背景下产生的符号但是却有着相同的属性、功能，并通过书法与符号学的理论交叉点，探讨作为二维平面的书法艺术在平面设计中的价值及应用。
[Abstract]:Calligraphy is the traditional cultural form of China. The nature of calligraphy and the embodiment of points, lines and surfaces in the works fully explain that calligraphy is a two-dimensional graphic art. This paper looks for the commonness between semiotics and calligraphy in the West. This paper summarizes the characteristics of calligraphy symbols and its influence on semiotics in the two-dimensional plane category. The application of calligraphy symbols in two-dimensional graphic design combines the theoretical characteristics of "counting white when black" and "living with reality" in calligraphy, and has a instructive effect on the concept of graphic design simply in the form of expression, and the calligraphy symbols are in the context of semiotics. It infuses the blood of Chinese culture into the two-dimensional pictorial symbols. Although the cultural background and forming process of calligraphy symbols are quite unique, they have their own characteristics in terms of both artistic and symbolic characters. These characteristics are the factors that affect the two-dimensional symbols. In this paper, the generality between calligraphy and symbols is analyzed comprehensively by means of analysis, literature investigation and interdisciplinary research. Using calligraphy theory and graphic design case to expound the theoretical value of pictograph and virtual reality in calligraphy. As an aesthetic symbol, calligraphy, through the process of "art for the sake of art", The realization of "signifier" and "signified" is the isomorphism of the artistic form and spiritual implication of Chinese characters, The symbolic nature of calligraphy is unified with the theoretical requirements of semiotics. Under this background, this paper will study the relationship between the art of calligraphy and semiotics in two dimensions. Chinese "artistic characters" and Western Pinyin symbols do the same level of research, take its common, although in different cultural backgrounds produced symbols but have the same attributes, functions, and through calligraphy and semiotics theoretical intersection point, This paper discusses the value and application of calligraphy art as a two-dimensional plane in graphic design.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J51;J292.1

【参考文献】