中国汉唐书论中的物喻

发布时间：2018-03-22 17:41

本文选题：物象　切入点：汉唐书论　出处：《中国书法》2017年04期 　论文类型：期刊论文

【摘要】：中国汉唐书论中常以物象类比书法。通过具体的物象表现书法中抽象的审美形态,类比作品风格,使书法的形式和审美与人及其生存环境的内在感情融汇。所用物象主要有动物、植物、自然景物及自然意义上的人和与人相关的事物四类。南北朝以前,书论普遍以自然界中具体物象作比。南北朝以后,书论则以自然意义上人的形态或活动作比,侧重于论述作品风格,虽存在以自然界具体物象作比,但多为沿用前人之说。隋唐时期物象类比方式呈现多元化特征。
[Abstract]:In the book theory of Han and Tang dynasties, the analogy of calligraphy is often used to describe the abstract aesthetic form of calligraphy and the style of analogous works. To merge the forms and aesthetics of calligraphy with the inner feelings of man and his living environment. The objects used were mainly animals, plants, natural scenery, and human and related things in the natural sense. Before the Southern and Northern dynasties, Since the Southern and Northern dynasties, the book theory has been compared to the form or activity of man in the natural sense, focusing on the style of the works, although there is a comparison between the concrete physical images of nature and the nature. However, most of them follow the previous theories. The analogy of the Sui and Tang dynasties is characterized by diversity.
【作者单位】：北京师范大学;
【分类号】：J292.1

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