由江西上饶现存《紫阳遗墨》论朱熹书学观

发布时间：2018-04-30 01:29

  本文选题：书法艺术 + 集字石刻作品　； 参考：《艺术百家》2017年05期

【摘要】：南宋年间朱熹在江西饶州、信州、徽州等地区讲学著述,这一地区多有其书迹刻石留存,其中《紫阳遗墨》是清道光年间上饶知县曹人杰依据朱熹遗墨集字编成《训士箴》七章并铭于石,以期"与天下万世共宝之"。《紫阳遗墨》书法字字雄浑苍劲,敦厚朴拙,且碑石跋文未见收录,因此具有极高的书法价值和文献价值。虽然《紫阳遗墨》是集字石刻作品,但从中依然可以窥探朱熹求古求正,宗法秦汉晋唐笔意;崇尚自然,于有法处求无法的书学主张。将朱熹《紫阳遗墨》与其另一件作品《千字文》相对照,更能揭示出《紫阳遗墨》中所折射出来的书学思想。
[Abstract]:In the Southern Song Dynasty, Zhu Xi was written in Rao Zhou, Xinzhou, Huizhou and other regions of Jiangxi. There were many books and engravings in this area. It has a very high value of calligraphy and literature value. Although it is a collection of stone inscriptions, it is still possible to spy on Zhu Xi's quest for the ancient seeking, the patriarchal Qin and Han Dynasty and the Jin and Tang Dynasty, and the advocation of nature, which can not be found in the law. The comparative study of thousand characters can reveal the calligraphic thoughts reflected in the "Ziyang ink".

【作者单位】： 上饶师范学院;
【基金】：江西省社会科学“十三五”(2016)规划项目“南宋饶州、徽州书法家群体研究”(项目编号:16YS05)阶段性成果之一
【分类号】：J292.1
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本文编号：1822481