“浙派”宗师——丁敬研究

发布时间：2018-04-30 23:42

本文选题：丁敬 + 篆刻艺术　；参考：《南京艺术学院》2003年博士论文

【摘要】： 本文在清代中叶史学、文学、学术研究和篆刻流派的背景下，主要以文献考辨结合图版实证的研究方法，通过诗文、印谱、印章边款所提供的大量文献资料和鲜为人注目的实物图版，从“浙派”的宗师——丁敬的卒年、字号以及丁敬与同时代诗坛、画坛、学术研究圈重要人物的交游考证开始，探讨了丁敬学术思想的根源。在此基础上，又通过对丁敬篆刻艺术创作各阶段的划分，结合历代印风的嬗变和承传，对丁敬的篆刻作品进行解读。进而分析了丁敬的印章审美观和篆刻艺术创作的审美取向，，厘清了丁敬篆刻艺术创作的源头(即“浙派”篆刻艺术的源头)，同时客观地评价了丁敬的篆刻艺术成就。从而解决了长期以来困扰人们的“浙派”源头问题，并驳斥了“四风派开启浙派”的错误观点。
[Abstract]:Under the background of historiography, literature, academic research and seal cutting school in the middle of Qing Dynasty, this paper mainly uses the method of literature research combined with the empirical study of map plate, through poetry, printing, The large amount of documents and plates provided by the seal side paragraph began with the year of the death of Ding Jing, the master of the "Zhejiang School", and the travel and textual research of Ding Jing and the important figures of the contemporary poetry, painting world, and academic research circles. The origin of Ding Jing's academic thought is discussed. On this basis, through the division of each stage of Ding Jing seal cutting art creation, combined with the evolution and inheritance of the past printing style, Ding Jing's seal cutting works are interpreted. Then it analyzes Ding Jing's seal aesthetics and aesthetic orientation of seal cutting art creation, clarifies the source of Ding Jing's seal cutting art creation (that is, the source of "Zhejiang School" seal cutting art, and objectively evaluates Ding Jing's artistic achievements in seal cutting. It solves the problem of the origin of "Zhejiang school", and refutes the wrong view that "the four winds school opens Zhejiang school".
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2003
【分类号】：J292.4

【引证文献】