伊秉绶书法艺术风格研究

发布时间：2018-05-11 06:43

本文选题：伊秉绶 + 成因　；参考：《曲阜师范大学》2017年硕士论文

【摘要】：伊秉绶是乾嘉时期最重要的碑派代表书家,作为清代碑派书法的开山祖师,他不仅是这一变革时期的重要人物,还是整个书坛革新运动的开创者,对于中国书坛有着承上启下的推动作用,促进书法创作方向的发展,促使碑派书法成为这一时期新的取法对象,从而带动以碑学为主流的书法风气。金石文字学的兴起和发展对伊秉绶个人书风的转变起到积极性的作用。由于伊秉绶具有一定的理学思想背景,虽说并不是一名理学家,但他的理学思想深刻地体现在书法艺术上和空间章法上,所以本论文主要通过伊秉绶的理学思想在书法艺术和空间章法上的体现来进行探究,并在书法艺术风格上表现出传统的气息,使伊秉绶笔下的书法艺术更加的气势恢宏和正气浩然。第一章首先对伊秉绶的书风概说进行简要的论述,通过从其他书家的品评和论著当中,了解前人对伊秉绶书风的认识,并提出个人对其书风的观点与见解,为下文论述伊秉绶书法艺术风格的成因奠定了基础。第二章对伊秉绶书法艺术风格的成因进行深入分析:第一从时代背景角度,研究的是康雍乾三朝帝王对理学思想的态度,汉学及金石文字学的兴起促使好古书风的发展,并逐渐由帖学向碑学转变,对碑学的发展起到推动作用;第二从伊秉绶的家世及师承关系进行分析,探讨理学思想的传承脉络和广益多师的精神,对伊秉绶书法艺术风格具有一定的继承和发扬;第三论述伊秉绶理学的根源及思想。第三章对伊秉绶的书体研究,从取法用笔、单字和字组分析、空间章法布局及理学思想的体现等进行逐一分析。第四章论述了伊秉绶书法艺术风格对后世的影响及启示,让更多的“学伊”者继承传统,开拓创新。本论文存在欠缺之处,还请老师和同学们多提宝贵的意见,并能指出其中存在的问题或缺点,以便笔者进行修改。
[Abstract]:Ibingshou is the most important representative calligrapher of the Qianjia period. As the founder of calligraphy in the Qing Dynasty, he is not only an important figure in this period of change, but also the pioneer of the whole reform movement of the calligraphy world. It plays an important role in promoting Chinese calligraphy, promoting the development of calligraphy creation direction, and promoting the calligraphy of tablet school to become a new object of study in this period, thus driving the mainstream calligraphy atmosphere of tablet study. The rise and development of Jinshi philology played a positive role in the transformation of the style of personal calligraphy. Because Yi Bingshou has a certain background of Neo-Confucianism thought, although he is not a Neo-Confucianism, his Neo-Confucianism thought is deeply embodied in calligraphy art and space rules. Therefore, this paper mainly through the Yi Bingshou's Neo-Confucianism thought in calligraphy art and space rules to explore the embodiment, and in the calligraphy art style shows the traditional breath, Yipingshou calligraphy art more magnificent and vigorous. The first chapter gives a brief discussion on the book style of Yipingshou, from the comments and works of other calligraphers, to understand the previous understanding of the book style of Ibingshou, and to put forward personal views and opinions on the style of books. For the following discussion of the formation of Yibingshou calligraphy style laid the foundation. The second chapter makes an in-depth analysis of the causes of the artistic style of Yipingshou calligraphy: first, from the angle of the background of the times, it studies the attitude of the emperors of Kang, Yong and Qian dynasties to the thought of Neo-Confucianism, the rise of Sinology and the philology of Jinshi, which promotes the development of the style of good ancient books. And gradually from the post school to the tablet study change, to promote the development of tablet science; second, from the family background of Ibingshou and the relationship between teachers, to explore the inheritance of Neo-Confucianism ideas and the spirit of Guang Yi-duo, Yipingshou calligraphy art style has a certain inheritance and development; third discusses the origin and thought of Ibengshou Neo-Confucianism. In the third chapter, the author analyzes the calligraphy style of Yipingshou from the point of drawing pen, single word and word group, space layout and the embodiment of Neo-Confucianism thought. The fourth chapter discusses the influence and enlightenment of Yipingshou calligraphy style on later generations, so that more "Yi" students inherit the tradition and blaze new trails. There are some shortcomings in this paper. Teachers and students are also requested to give valuable advice and to point out the problems or shortcomings in the paper so that the author can modify it.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

【参考文献】