当代楷书的创作困境与突围

发布时间：2018-05-11 17:54

  本文选题：王楷 + 结体　； 参考：《中国书法》2017年07期

【摘要】：正从书法发展的轨迹来说,在楷书正式成为"正体书法"之前,不同时代有不同的正体书法,秦为小篆、汉兴则为隶书。而早在汉魏之际,楷书早已形成,著名书家有锺王等人,"锺王楷书脱胎于行书,作为碑刻上的正体来用,结体和笔法都有不够庄严稳重的地方",这句话从另一方面道出了楷书作为"正体书"之外的身份,那就是"短笺长卷,意态挥洒,则帖擅其长。界格方严、法书深刻,则碑据其胜"中的"短笺长卷"。作为日常的书写,楷书有着多重身份的可能,以魏晋时期
[Abstract]:From the perspective of the development of calligraphy, before italics became "orthotypic calligraphy", there were different orthodox calligraphy in different times, Qin as Xiaozhuan and Hanxing as official script. As early as the Han and Wei dynasties, regular script had already formed. Famous calligraphers such as Wang Zhong and others, "Chung Wang's script was born out of running script and used as an orthodox inscription on the inscription." The conclusion and writing method have not enough solemn and stable place ", this sentence from another side of the character as" the original book "identity, that is," short scroll, the meaning of the spread, it is good at its long. " A strict court, profound law, the tablet according to its victory, "short long volume." As a daily writing, regular script has the possibility of multiple identities, in the Wei and Jin dynasties
【作者单位】： 集美大学美术学院;
【分类号】：J292.1
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本文编号：1874967