魏碑书风研究

发布时间：2018-06-03 14:24

本文选题：魏碑 + 书法　；参考：《西南大学》2017年硕士论文

【摘要】：魏碑是魏晋南北朝时期由隶书向唐代楷书演变留下的作品。公元4世纪初,中国南北分裂晋室南迁,中原士族大家纷纷南渡,魏晋新书风的中心由洛阳转移到了江南,后形成了以“欹侧遒媚”为主流的二王书风。则北方进入了多个少数民族政权割据混战的十六国时代。公元439年鲜卑北魏统一了北方,留北士族书家与鲜卑等少数民族书家相互影响。北魏孝文帝494年,迁都洛阳实行汉化政策,促进了魏碑的大发展,形成了北碑书法的鼎盛时期,与南朝书法呈现出“北质南妍”的格局。本文共收集了北朝碑刻1249通,通过对碑刻的研究分析,在借鉴前人的成果和新发现的基础上,重新对魏碑的艺术风格特征进行了类分。本文共分四章:第一章绪论。主要介绍本文的选题缘由、相关名词术语的界定,魏碑研究历史回顾与魏碑书风研究现状以及研究方法与意义。第二章魏碑书风的形成原因初探。本文主要从北朝社会政治、文化风尚、佛教文化的传入以及刻石树碑之风等四方面来探究魏碑的历史文化成因。第三章魏碑艺术风格特征再发现。清代朴学的兴起,带动了金石考据学的兴盛,文人士大夫收藏金石拓片蔚然成风,他们在长期考经证史的同时,反复的把玩临写,意外的发现了魏碑书法不同寻常的美。第四章魏碑书法艺术的特色。本章借鉴诗歌分类品评方法,在前人研究的基础上,就金学智先生的《新二十四书品》加以剪裁,将魏碑书法艺术风格类分为十六类:工巧、天真、方正、犷野、冲和、劲健、拙朴、怪奇、姿媚、险峭、紧结、颇骏、雄浑、瘦硬、潇洒、飘逸。
[Abstract]:Wei tablet was left by the evolution from official script to regular script in Wei, Jin, Southern and Northern dynasties. At the beginning of the 4th century AD, the north and south of China split and the Jin Dynasty moved south, and the scholars of the Central Plains crossed southward one after another. The center of the new book style of Wei and Jin moved from Luoyang to the south of the Yangtze River, and then formed the second Wang Shufeng, which was mainly composed of "Ying Xi Mei". Then the north entered the 16-state era in which a number of ethnic regimes clashed. Xianbei Northern Wei Dynasty unified the north in 439 AD. In 494, Emperor Xiaowen moved his capital to Luoyang, which promoted the great development of Wei tablet, formed the peak period of Beibei calligraphy, and presented the pattern of "Northern essence and Nanyan" with Southern Dynasty calligraphy. This paper collects 1249 inscriptions of the Northern Dynasty, through the research and analysis of the inscriptions, on the basis of the previous achievements and new discoveries, the article reclassifies the artistic style characteristics of Wei tablets. This paper is divided into four chapters: the first chapter is an introduction. This paper mainly introduces the reason of selecting this topic, the definition of relative terminology, the historical review of Wei tablet research and the present situation of the research on Wei tablet calligraphy style, as well as the research methods and significance. The second chapter explores the reasons for the formation of Weibei calligraphy style. This paper explores the historical and cultural causes of Wei tablets from four aspects: social politics, cultural fashion, the introduction of Buddhist culture and the wind of engraving stone and trees. The third chapter is to discover the artistic style of Wei Bei. The rise of the simple study of the Qing Dynasty, led to the prosperity of the Jin Shi textual research, literati and official collection of gold and stone rubbings become popular, they in the long examination of the history of classics, repeatedly play with the temporary writing, accidentally discovered the unusual beauty of Wei tablet calligraphy. The fourth chapter features the calligraphy art of Wei tablet. This chapter draws lessons from the poetry classification appraisal method, on the basis of the previous research, on the Jin Xuezhi "New 24 Books" to be tailorized, will Wei tablet calligraphy artistic style type divides into 16 categories: workmanship, naive, Fang Zheng, wild field, Chong he, Jin Jian, Simple, strange, beautiful, dangerous, tight knot, quite Jun, powerful, thin hard, chic, elegant.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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