儒学观念下的洪亮吉书法研究

发布时间：2018-06-04 15:08

本文选题：洪亮吉 + 书法　；参考：《西南大学》2017年硕士论文

【摘要】：洪亮吉是乾嘉时期著名的书法家和儒学家,其书法以《说文解字》为依据,以“二李”为主要取法对象,创作以小篆见长。儒学上他主张宗汉复古,提倡原儒之学,反对宋明理学。其思想也表现出崇儒、近道、不佞佛的特征。目前,有关洪亮吉书法和儒学的研究都还较为薄弱。本文以洪亮吉的儒学思想为线索,从生平业绩和书法交游入手,探析儒学对其人格和书法两方面的影响:洪亮吉在“真性情”观念的影响下,表现出真诚仗义、坦荡正直的人格,书法上则表现为对馆阁体的批判和对尚意书风的偏好,其中尚意书风以苏轼为指归。在“尚阳刚”观念的影响下,表现出刚毅正直、自强不息的人格,体现在书法上则是对清新刚健书风的追求。在“崇奇古”观念的影响下,其为人特立独行且狂傲狷介,体现在书法上即是对篆书和古文奇字的青睐。在此基础之上,耙梳洪亮吉“德行为先、文艺为末”的批评观念,并进一步阐释其思想上“重道轻艺”与“笃爱文艺”的矛盾统一。最后,探寻其书法作品和书画题跋中的儒学思想。全文以儒学为线索,立足于思想观念的角度对其书法进行研究。
[Abstract]:Hong Liangji was a famous calligrapher and Confucian scholar in the period of Qianlong and Jiaqing. His calligraphy was based on "Shuo Wen Jie >" and took "Er Li" as the main object. His creation was a small seal character. He advocated the Confucian school and opposed the Neo Confucianism in the song and Ming Dynasties. The study of law and Confucianism is still relatively weak. This article, taking Hong Liangji's Confucian thought as the clue, analyzes the influence of Confucianism on two aspects of his personality and calligraphy from his life achievement and calligraphy. Under the influence of the concept of "Shang Yang Gang", with the influence of "Shang Yang Gang", the style of calligraphy is the pursuit of the fresh and vigorous style of calligraphy. Under the influence of the concept of "Chong Qi Gu", it is a unique and arrogant introduction, embodied in calligraphy. It is the favor of the seal character and the ancient Chinese characters. On this basis, the harrow combs the criticism concept of "the behavior of Germany first, the literature is the end", and further explains the contradiction of the contradiction between the "light art" and the "love of literature and art" in his thought. Finally, it explores the Confucian thought in his calligraphy works and the postscript of calligraphy and painting. The full text is based on Confucianism as the clue and foothold. The study of his calligraphy in the perspective of ideas.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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