从经学到书法:汉晋间琅琊王氏家族文化的传承与流变

发布时间：2018-06-05 15:42

本文选题：经学 + 儒学　；参考：《孔子研究》2017年02期

【摘要】：西汉时期,琅琊王吉以通经而入仕,家族开始振兴。王吉与其子王骏、孙王崇三世为官,家族政治和文化地位开始上升。但是,自王崇开始,家族子弟不再固守通经入仕之路,家族在东汉并不显赫。魏晋时期,琅琊王祥以孝行入仕,并对当时盛行的玄学和道家思想有所涉猎,家族文化出现多元化发展倾向。西晋时期,王戎、王衍等人全面谈玄,由此而激发出艺术精神,家族出现研习书法的热潮,书法文化开始成为家族文化的主要内容,这为琅琊王氏在东晋成为书法文化世家奠定了基础。
[Abstract]:During the Western Han Dynasty, Langya Wangji entered the official office by the Tongjing, and the family began to revitalize. Wang Ji and his son Wang Jun, Sun Wang Chong III as the official, the political and cultural status of the family began to rise. However, since Wang Chong, the family children no longer adhere to the official path, the family is not prominent in the Eastern Han Dynasty. During the Wei and Jin dynasties, Langya Wang Xiang entered the official office with filial piety, and dabbled in the prevailing metaphysics and Taoism thought at that time. During the Western Jin Dynasty, Wang Rong, Wang Yan, etc., all interviewed each other, thus arousing the spirit of art and the upsurge of studying calligraphy in the family. Calligraphy culture began to become the main content of the family culture. This laid the foundation for Langya Wang to become a family of calligraphy culture in the Eastern Jin Dynasty.
【作者单位】：教育部人文社科重点研究基地山东师范大学齐鲁文化研究院;
【基金】：国家社科基金艺术学项目“魏晋书法文化世家研究——政治与社会变迁视阈下的艺术史观”(14CF122) 山东省社科规划治国理政研究专项“文化传承与文艺创新中的中国精神和中国气派”(16DZLJ02)的阶段性成果
【分类号】：B235;J292.1

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