民国时期（1912-1949）美术字造型研究

发布时间：2018-06-30 08:41

本文选题：美术字 + 宋体　；参考：《中国艺术研究院》2012年博士论文

【摘要】：20世纪30年代,中国已经出现了“美术字”的称谓。民国时期美术字是在传统汉字艺术的基础上,吸收西文字体设计理念和技法发展而来的。民国时期美术字设计表现出非专业性、随意性,甚至带有一定的盲目性。这一方面与时代发展相吻合；另一方面,这也是当时社会环境的局限性决定的。汉字字体的演变过程同时伴随着汉字书写方式的发展。虽然美术字构形的方式源于汉字的结构,但是美术字构形的原则不同于汉字的构造标准。作为商品宣传的视觉内容,美术字强调的是功能性,作为设计艺术的研究对象美术字表现的是审美性。美术字对汉字艺术既有继承也有发展。美术字不同于书法艺术,书法艺术是汉字书写的艺术,是把汉字用书写的形式表现出来。美术字是汉字的设计艺术形式,是对汉字造型改造、加工、装饰后的结果。美术字是字体设计艺术,对汉字不是单纯的模仿,是再塑造、再构形,这是美术字本质属性所要求的。从市场发展角度看,美术字最初的出现是汉字为了适应商品经济的流通、宣传,而对汉字进行变化。而汉字造型的变化,必须突破了汉字固有的字架结构,才能更好的适应商品的流通、宣传的作用；从技术角度看,西文字体设计对美术字的影响非常大。为了能够创作出更多形式丰富、造型多变的字体,研究、吸收西文字体的设计经验是必须的；从汉字自身发展看,汉字艺术发展几千年,已经非常成熟。但时代在进步,文化艺术也要适应社会的发展,美术字的出现就是汉字艺术适应人类文明进步的具体表现。民国时期美术字设计研究有着承前启后的作用。它不仅表现出特有的时代特征,同时是汉字艺术一种新的艺术形式。美术字对汉字传统艺术不仅有继承也有发展。这个时代的美术字设计成为当代字体设计宝贵的经验来源。
[Abstract]:In the 1930 s, the title of "Art word" appeared in China. On the basis of the traditional Chinese character art, the art characters of the Republic of China developed from the western font design concept and techniques. In the period of the Republic of China, the design of fine arts characters showed non-professional, random and even blindness. On the one hand, it coincided with the development of the times; on the other hand, it was determined by the limitations of the social environment at that time. The evolution of Chinese character font is accompanied by the development of Chinese character writing style. Although the form of fine arts characters originates from the structure of Chinese characters, the principles of the formation of fine arts characters are different from the construction standards of Chinese characters. As the visual content of commodity propaganda, the art word emphasizes the function, and as the research object of the design art, the art word expresses the aesthetic. Fine arts characters both inherit and develop the art of Chinese characters. Art character is different from calligraphy art. Calligraphy art is the art of writing Chinese characters. The art character is the design art form of Chinese character, it is the result of the transformation, processing and decoration of Chinese character modeling. Art character is the art of font design. It is not a simple imitation of Chinese characters, but a remolding and reconfiguration, which is required by the essential attribute of fine arts characters. From the perspective of market development, the original appearance of Chinese characters is to adapt to the circulation of commodity economy, propaganda, and change of Chinese characters. The change of Chinese character modeling must break through the inherent structure of Chinese characters in order to better adapt to the circulation of commodities and the role of propaganda. From a technical point of view, the design of Western characters has a great impact on the art characters. In order to create more rich and changeable fonts, it is necessary to study and absorb the design experience of western characters. From the perspective of the development of Chinese characters, the art of Chinese characters has developed for thousands of years and has been very mature. But the times are progressing and the culture and art should adapt to the development of the society. The appearance of the art characters is the concrete manifestation of the Chinese characters' art adapting to the progress of human civilization. In the period of the Republic of China, the study on the design of fine arts characters has the function of connecting the past with the future. It not only shows the unique characteristics of the times, but also is a new art form of Chinese character art. Chinese traditional art is not only inherited but also developed. The art character design of this era becomes the valuable experience source of the contemporary font design.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2012
【分类号】：J292.13

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