意象美学视野下当代书法创作理论模式研究评析
发布时间：2018-07-14 15:00
【摘要】：书法美学原理的基本立场决定了当代书法创作理论模式研究的思想前提、方向和可行性。书法美学原理可以分为辩证、范畴和意象美学三个层次,辩证美学可以分析,范畴美学可以期待,意象美学只能体验,这三个层次同时可以演化为三种创作理论模式。在这样的视野之下,当代书法创作理论模式研究在思想前提、美学立场、分类标准和实践意义等方面需要重新评估与建构。
[Abstract]:The basic standpoint of the aesthetic principle of calligraphy determines the ideological premise, direction and feasibility of the research on the theoretical model of contemporary calligraphy creation. The principles of calligraphy aesthetics can be divided into three levels: dialectical, category and image aesthetics, dialectical aesthetics can be analyzed, category aesthetics can be expected, image aesthetics can only be experienced, and these three levels can evolve into three creative theoretical models at the same time. From this perspective, the theoretical model of contemporary calligraphy creation needs to be re-evaluated and constructed in the aspects of ideological premise, aesthetic stand, classification standard and practical significance.
【作者单位】： 曲靖师范学院人文学院;
【分类号】：J292.1
[Abstract]:The basic standpoint of the aesthetic principle of calligraphy determines the ideological premise, direction and feasibility of the research on the theoretical model of contemporary calligraphy creation. The principles of calligraphy aesthetics can be divided into three levels: dialectical, category and image aesthetics, dialectical aesthetics can be analyzed, category aesthetics can be expected, image aesthetics can only be experienced, and these three levels can evolve into three creative theoretical models at the same time. From this perspective, the theoretical model of contemporary calligraphy creation needs to be re-evaluated and constructed in the aspects of ideological premise, aesthetic stand, classification standard and practical significance.
【作者单位】： 曲靖师范学院人文学院;
【分类号】：J292.1
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