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杨凝式对二王“古法”的传承研究

发布时间:2018-07-15 14:22
【摘要】:晚唐五代与魏晋时期情形极其相似,社会战乱动荡,政治经济大变革、大发展,士人性情消散等等。杨凝式主要生活于混乱不堪五代时期,杨凝式作为这季世中人,作为上承隋唐下启宋明的书家,杨凝式在书法史中的地位不容忽视。在研究其与二王“古法”的传承关系时,大家往往把其书作外在表现比如技法、章法等作为谈论的焦点,而忽视五代中的杨凝式书写习惯、书写状态与魏晋隋唐时期的一脉相承。本文独特之处在于着重从前贤所忽略的书写工具、执笔方式等方面论述杨凝式书风对二王“古法”的传承。书写工具、执笔方式等显而易见,却成为书家最容易忽视的地方。从考古出土的毛笔,现存的古代字画的用纸及古画中所呈现的执笔方式等一系列蛛丝马迹中拼凑出五代时期书家的书写习惯,从而印证杨凝式吸收二王“古法”的“必然性”。
[Abstract]:The situation of the late Tang and the five dynasties is very similar to that of the Wei and Jin dynasties. Yang Chin lived mainly in the chaotic period of five dynasties. As a member of Ji Shizhong and a calligrapher who inherited Song Ming from Sui and Tang dynasties, Yang's position in the history of calligraphy can not be ignored. In studying the relationship between them and the "ancient methods" of the two kings, people tend to take their books as external expressions such as techniques and rules as the focus of discussion, while ignoring Yang's writing habits in the five dynasties. Writing state and Wei Jin Sui and Tang dynasties of the same lineage. The unique point of this paper is to expound the inheritance of the two kings'"ancient methods" from the writing tools and writing style neglected by the former sages. Writing tools, writing methods and so on are obvious, but they are the easiest places to be ignored by calligraphers. From a series of archeological unearthed brushes, the paper used in ancient calligraphy and painting and the way of execution presented in ancient paintings, the calligraphers' writing habits of the five dynasties period were pieced together, thus confirming the "inevitability" of Yang Chin's absorption of the "ancient methods" of the two kings.
【学位授予单位】:曲阜师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J292.1

【参考文献】

相关博士学位论文 前1条

1 朱友舟;中国古代毛笔研究[D];南京艺术学院;2012年



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