中国现代刻字艺术展相关问题研究
发布时间：2018-07-17 04:46
【摘要】：中国现代刻字艺术的萌芽,源自上世纪八十年代日本现代刻字的传入。经过近三十年的发展,现代刻字在我国已占有一席之地,它是书法的衍生品,并成立了中国书法家协会现代刻字研究会,现归中书协管辖范围。现代刻字是以书法为本体(主体),融入传统刻字、版画、篆刻、雕塑、绘画于一体的新的艺术表现形式。它借鉴了西方构成理论的理论体系,使现代刻字具有了平面构成,立体构成,色彩构成的三大特点。现代刻字艺术正在大步向前发展,但在刻字艺术的发展中出现好多问题。笔者在这篇文章中对历届刻字展览进行了收集整理,并且重点对全国现代刻字展作品的构成理论、作品形制、叠加技法等进行分析归纳,总结出现代刻字发展的相关数据,通过对这些数据的分析整理,得出现代刻字的发展正在偏离书法本体,逐渐远离传统书法。通过这些数据的收集整理,也对现代刻字展目前的发展状况进行了一个清晰的定位,并梳理出现代刻字大事年表,以供参考。
[Abstract]:The germination of Chinese modern engraving art originates from the introduction of Japanese modern engraving in 1980's. After nearly 30 years of development, modern engraving has occupied a place in our country, it is the derivative of calligraphy, and established the Chinese calligrapher Association Modern inscription Research Society, which is now under the jurisdiction of the Chinese calligraphy Association. Modern engraving is a new art form which integrates traditional engraving, seal cutting, sculpture and painting with calligraphy as its main body. It draws lessons from the theoretical system of western constitution theory, and makes modern engraving have three characteristics: plane constitution, stereoscopic constitution and color composition. Modern engraving art is developing rapidly, but there are many problems in the development of lettering art. In this article, the author collects and arranges the previous exhibition of engraved characters, and focuses on the theory of constitution, the form of works, the superposition techniques and so on, and sums up the relevant data of the development of modern engraving. Through the analysis and arrangement of these data, it is concluded that the development of modern engraving is deviating from calligraphy itself and gradually away from traditional calligraphy. Through the collection and arrangement of these data, this paper also makes a clear orientation to the present development of the modern engraving exhibition, and combs out the chronology of modern engraving events for reference.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.4
本文编号：2129071
[Abstract]:The germination of Chinese modern engraving art originates from the introduction of Japanese modern engraving in 1980's. After nearly 30 years of development, modern engraving has occupied a place in our country, it is the derivative of calligraphy, and established the Chinese calligrapher Association Modern inscription Research Society, which is now under the jurisdiction of the Chinese calligraphy Association. Modern engraving is a new art form which integrates traditional engraving, seal cutting, sculpture and painting with calligraphy as its main body. It draws lessons from the theoretical system of western constitution theory, and makes modern engraving have three characteristics: plane constitution, stereoscopic constitution and color composition. Modern engraving art is developing rapidly, but there are many problems in the development of lettering art. In this article, the author collects and arranges the previous exhibition of engraved characters, and focuses on the theory of constitution, the form of works, the superposition techniques and so on, and sums up the relevant data of the development of modern engraving. Through the analysis and arrangement of these data, it is concluded that the development of modern engraving is deviating from calligraphy itself and gradually away from traditional calligraphy. Through the collection and arrangement of these data, this paper also makes a clear orientation to the present development of the modern engraving exhibition, and combs out the chronology of modern engraving events for reference.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.4
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