正书式微由多方面原因造成

发布时间：2018-07-21 09:09

【摘要】：正作为当代书家,是飞鸿还是驻雁,这需要明确自身的定位。从历史发展的角度来看,书法史是由不同时代的优秀书法家所创造的历史,他们和他们的书作汇聚成了书法史,也汇聚成了源源不断的书法传统。每个时代都有自己的文化和精神,都有书法发展面临的问题和瓶颈,也有每个时代的创造动力和才能,而这一切的表现与完成都是通过每个时代的书家来努力和实现的。所以是飞鸿还是驻雁,不是我们现在可以凭主观愿望来实现的,在短暂的历史时期也不能做出准确的界定。但正因如此,需要每个时代的书家为书法的传统作出贡献。因此,对于书家而言,唯有使命、理想和耕耘。对于"正书式微",我觉得有三个深层次的原因:其一,不仅是正书式微,当代书法的发展和历史时期相比,总体可以说是式微的;其二,所谓"正书式微"不是当代才开始存在的现象,在书法史上,正书的发展早就遭遇了相同的命运,这与人们书写便捷的要求和对抒情表现的要求是分不开的;其三,当代"正书式微",一个最直接的原因就是人们认识和习见所致。当代人对
[Abstract]:As a contemporary calligrapher, it is Feihong or geese, which needs to define its own position. From the perspective of historical development, the history of calligraphy is created by excellent calligraphers of different times. They and their writings converge into the history of calligraphy as well as into a continuous stream of calligraphy traditions. Each era has its own culture and spirit, problems and bottlenecks in the development of calligraphy, as well as the creative power and talent of each era, all of which are achieved through the efforts of the calligraphers of each era. Therefore, it is Feihong or geese, which we can not realize by our subjective wishes now, nor can we make an accurate definition in the brief historical period. But it is for this reason that the calligraphers of every era are required to contribute to the tradition of calligraphy. Therefore, to the calligrapher, only the mission, the ideal and cultivates. I think there are three deep-seated reasons for the decline of "positive calligraphy": first, not only the decline of positive books, but also the overall decline in the development of contemporary calligraphy compared with the historical period; and second, In the history of calligraphy, the development of Zhengshu has encountered the same fate for a long time. This is inseparable from people's request for convenience and lyricism; third, One of the most direct reasons for the decline of the modern book is people's understanding and habit. The present generation's response to
【分类号】：J292.1

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