杨守敬书学思想与其书风的关系研究
发布时间：2018-07-22 15:13
【摘要】：不同时期的书法风貌可窥得书家其人之学术与学品。杨守敬深厚博学的素养造就了其高逸不凡的书艺。杨守敬书法一直秉承着创新理念,在突破了以往抽象点评方式的前提下,运用辩证实证法,提倡“碑帖融合”、“八面出锋”等思想,仿古、学古而不泥古,为后人提供了丰富的学书经验。本文从研究杨守敬书学著作入手,认为杨守敬的书学研究注重系统性和实证性,对书法史的发展演变规律有较为客观的认识。杨守敬提倡碑帖融合,正是缘于其对书法史的了解与把握。另外,注重书写者的人品和修养是杨守敬书学思想又一大特点,这主要是由杨守敬作为学者型书家所致。杨守敬除了草书以外,在篆书、隶书、楷书和行书这四种书体的创作上都取得了很高的成就。本文系统的分析了这四种书体的作品,着重研究杨守敬书学观念与其书风的关系。杨守敬的书法碑帖兼容,在充分运用篆隶用笔方法的基础上追求拙朴的艺术风格,并兼顾帖学中优秀的艺术成分,最终形成古朴、深沉而又变化有致的总体风格面貌。本文论证了杨守敬碑帖融合的书学思想对其书风的决定性影响。
[Abstract]:The style of calligraphy in different periods can be seen the academic and academic products of calligraphers. Yang Shoujing's profound and erudite literacy has brought about his extraordinary skill in books. Yang Shoujing's calligraphy has always been adhering to the idea of innovation. On the premise of breaking through the previous abstract comment methods, Yang Shoujing advocated, by using dialectical positivistic methods, the ideas of "the amalgamation of tablets and placards", "eight facets out of the front", and so on, imitating the ancient times, learning from the ancient times rather than mud the ancient times. For future generations to provide rich experience in learning books. Based on the study of Yang Shoujing's books, this paper holds that Yang Shoujing's study of calligraphy pays attention to systematicness and positivism, and has a more objective understanding of the law of the development and evolution of calligraphic history. Yang Shoujing advocated the amalgamation of tablets and posts, precisely because of his understanding and grasp of the history of calligraphy. In addition, attention to the character and accomplishment of the writer is another feature of Yang Shoujing's thought of calligraphy, which is mainly caused by Yang Shoujing as a scholarly calligrapher. In addition to cursive script, Yang Shoujing made great achievements in the creation of seal script, official script, regular script and running script. This paper systematically analyzes the works of these four types of books, focusing on the relationship between Yang Shoujing's concept of calligraphy and his style of writing. Yang Shoujing's calligraphy inscriptions are compatible with each other, pursuing the simple artistic style on the basis of fully using the method of the pen in the seal script, and taking into account the outstanding artistic elements in the post studies, and finally forming a simple, profound and changing overall style. This paper demonstrates the decisive influence of Yang Shoujing's calligraphy thoughts on the style of his books.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J292.1
本文编号：2137871
[Abstract]:The style of calligraphy in different periods can be seen the academic and academic products of calligraphers. Yang Shoujing's profound and erudite literacy has brought about his extraordinary skill in books. Yang Shoujing's calligraphy has always been adhering to the idea of innovation. On the premise of breaking through the previous abstract comment methods, Yang Shoujing advocated, by using dialectical positivistic methods, the ideas of "the amalgamation of tablets and placards", "eight facets out of the front", and so on, imitating the ancient times, learning from the ancient times rather than mud the ancient times. For future generations to provide rich experience in learning books. Based on the study of Yang Shoujing's books, this paper holds that Yang Shoujing's study of calligraphy pays attention to systematicness and positivism, and has a more objective understanding of the law of the development and evolution of calligraphic history. Yang Shoujing advocated the amalgamation of tablets and posts, precisely because of his understanding and grasp of the history of calligraphy. In addition, attention to the character and accomplishment of the writer is another feature of Yang Shoujing's thought of calligraphy, which is mainly caused by Yang Shoujing as a scholarly calligrapher. In addition to cursive script, Yang Shoujing made great achievements in the creation of seal script, official script, regular script and running script. This paper systematically analyzes the works of these four types of books, focusing on the relationship between Yang Shoujing's concept of calligraphy and his style of writing. Yang Shoujing's calligraphy inscriptions are compatible with each other, pursuing the simple artistic style on the basis of fully using the method of the pen in the seal script, and taking into account the outstanding artistic elements in the post studies, and finally forming a simple, profound and changing overall style. This paper demonstrates the decisive influence of Yang Shoujing's calligraphy thoughts on the style of his books.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J292.1
【参考文献】
相关期刊论文 前2条
1 李卓文;杨守敬的书论及其在日本书坛的地位和影响[J];三峡大学学报(人文社会科学版);2002年01期
2 赵平;;杨守敬在日本的艺术活动研究[J];武汉文博;2014年01期
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