碑学的理论与帖学的实践——翁方纲书学矛盾现象解读

发布时间：2018-10-09 10:28

【摘要】：翁方纲的书法存在着"碑学的理论与帖学的实践"的矛盾现象.他既是当时盛极一时的帖学书家,又是奠定、推动碑学书法发展的中坚人物。这一矛盾现象产生的原因有二:其一,翁氏拥有理学家、汉学金石学家等多重身份,致使他对理学与汉学采取一种调和平衡的态度,时而崇理,时而尚汉,崇理则继承传统帖学,尚汉则专攻考据、金石学。多重身份为这一矛盾的出现提供了先决条件;其二,翁氏刚好处于碑学兴起的发轫期与帖学由盛转衰的延续期,碑学兴起与帖学衰退的漫长过程,为这一矛盾产生提供了时间条件。翁方纲的书法实践与理论虽然矛盾,但在矛盾的背后却隐藏着鲜为人知的统一性,即其书法呈现出的古朴、厚重、浑实的碑学书法风格。他的双重身份使他在中国书法主流由帖学向碑学转换的过程中扮演着不可忽视的角色。
[Abstract]:Weng Fanggang's calligraphy has the contradictory phenomenon of "the theory of tablet study and the practice of post study". He was not only the most popular scholar at that time, but also the key figure to promote the development of calligraphy. There are two reasons for this contradiction: first, Weng's multiple identities as a Neo-Confucianism and a Sinology goldstone scholar led him to adopt a balanced attitude towards Neo-Confucianism and Sinology, sometimes respecting reason and sometimes Shang Han. Chongli inherits the traditional placards, and Shang Han specializes in textual research. Multiple identities provide a prerequisite for the emergence of this contradiction. Second, Weng is in the beginning period of the rise of tablet science and the continuation period of the post study from prosperity to decline, and the long process of the rise of tablet science and the decline of post study. It provides a time condition for this contradiction to come into being. Although Weng Fanggang's calligraphy practice and theory are contradictory, there is a little-known unity behind the contradiction, that is, the ancient, thick and solid calligraphy style of his calligraphy. His dual identity makes him play an important role in the transformation of the mainstream of Chinese calligraphy from post study to tablet study.
【作者单位】：南京艺术学院美术学院;广西艺术学院中国画学院;
【分类号】：J292.2

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