唐宋论书诗中的比况手法

发布时间：2018-10-11 07:49

【摘要】：正论书诗是指对书法艺术进行理论探索的诗歌,包括对书法作品、书家等予以品评的诗作。论书诗这一题材自唐发轫,至宋蔚为大观,目前《全唐诗》、《〈全唐诗〉补编》、《全宋诗》、《全宋诗〉订补》中保留下来的论书诗有近千首之多。唐宋论书诗中大量使用比况的手法,用以品鉴书法作品、书家气质等。唐宋论书诗中使用的比况物较丰富,既有动物,也有植物、器物、景物等,诗人采用不同的比况方法,寻找比况物与书法作品或书家之间的相通之处,寻找沟通文学与艺术的桥梁。取比况物外形与被比况物之间的相似性是唐宋论书诗中常用手法之一。书法中的点画所具有的形态被诗人形象化、想象化,具有了与比况物外形的相似性,是以找到了书法作品与比况物之间的契合点。
[Abstract]:Orthodox poetry is a kind of poetry that explores the art of calligraphy, including the works of calligraphy, calligraphers and so on. From the beginning of Tang Dynasty to Song Dynasty, there are nearly a thousand books and poems in the whole Tang Dynasty, the Supplement of the whole Tang Dynasty and the revision and Supplement of the whole Song Dynasty. The Tang and Song dynasties used a lot of comparison techniques to evaluate calligraphy works, calligrapher temperament and so on. In Tang and Song dynasties, there are many comparative objects used in calligraphy and poetry. There are not only animals, but also plants, utensils, scenery and so on. The poets use different methods to find the similarities between the comparative works and calligraphy works or calligraphers. Looking for a bridge between literature and art. It is one of the commonly used techniques in Tang and Song dynasties to take the similarity between the shape of comparative objects and the objects of comparison. The shape of the painting in calligraphy is visualized and imagined by the poet, and it has the similarity with the shape of the comparative object, which is to find the joint point between the calligraphy work and the comparative object.
【作者单位】：吉林大学文学院;
【分类号】：J292.1

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