论由“吴赵对峙”到“吴显赵晦”的转变及其原因
发布时间：2018-10-11 18:27
【摘要】：近代海派印学,吴昌硕与赵叔孺各树一帜。沙孟海曾以吴之雄浑比之"太阳",从赵之秀美方以"太阴",二氏为近现代海上印坛一时之"瑜亮"。然而在二人身后,吴昌硕声名大振,赵叔孺之名却渐趋不显,经历了由"吴赵对峙"到"吴显赵晦"的转变。究其原因,笔者认为,吴昌硕与赵叔孺不同的处世方式为内因,而清末民初传统审美突变为外因。
[Abstract]:Modern Shanghai School of impressionism, Wu Changshuo and Zhao Shunru each set a school. Sha Menghai once compared Wu's power to the sun, from Zhao Zhixiu to "Taiyin", Ershi as the modern sea printing world "Yu Liang." However, after the two men, Wu Changshuo became famous, but Zhao Shunru's name gradually declined, going through the transformation from Wu Zhao confrontation to Wu Xian Zhao Hui. The author thinks that Wu Changshuo and Zhao Shunru's different ways of dealing with the world are the internal cause, while the traditional aesthetic mutation in the late Qing Dynasty and the early Republic of China is the external cause.
【分类号】：J292.4
，
本文编号：2264810
[Abstract]:Modern Shanghai School of impressionism, Wu Changshuo and Zhao Shunru each set a school. Sha Menghai once compared Wu's power to the sun, from Zhao Zhixiu to "Taiyin", Ershi as the modern sea printing world "Yu Liang." However, after the two men, Wu Changshuo became famous, but Zhao Shunru's name gradually declined, going through the transformation from Wu Zhao confrontation to Wu Xian Zhao Hui. The author thinks that Wu Changshuo and Zhao Shunru's different ways of dealing with the world are the internal cause, while the traditional aesthetic mutation in the late Qing Dynasty and the early Republic of China is the external cause.
【分类号】：J292.4
，
本文编号：2264810
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