米芾书画品评观念研究
发布时间:2018-10-17 19:38
【摘要】:本文以米芾《书史》、《画史》等著作中所涉及的书画品评为主要研究对象,在北宋文化与鉴藏全面兴盛的背景下展开研究。文章第一部分首先厘清“品评”这一核心范畴,然后梳理了先秦至北宋的书画品评渊源及嬗变,总结历代书画品评对北宋的书画收藏和品评观念的影响,并通过考察米芾与同时代的鉴藏家欧阳修、苏轼、黄庭坚、薛绍彭、刘泾等人书画鉴藏活动,找出他们的鉴藏与品评观念之异同,以确定他们对米芾书画品评的影响。第二部分通过细致分析米芾《书史》、《画史》、《宝章待访录》、《宝晋英光集》、《海岳名言》、《海岳题跋》等传世论著中书画相关的品评内容,归纳总结出米芾书画鉴藏与品评中崇尚真率、自然、古雅以及魏晋法度的审美取向。第三部分进一步分析米芾审美理想中的“晋人格”,考察米芾“崇晋”思想的由来、发展以及对其艺术生活的全面影响,并最终确立米芾以“晋人格”为中心的书画品评观念。
[Abstract]:In this paper, Mi Fu "Book History", "painting History" and other works involved in calligraphy and painting review as the main research object, in the Northern Song Dynasty culture and the comprehensive prosperity of the background of the study. The first part of the article first clarifies the core category of "evaluation", then combs the origin and evolution of calligraphy and painting review from pre-Qin to Northern Song Dynasty, and summarizes the influence of calligraphy and painting review on the collection and evaluation of painting and calligraphy in Northern Song Dynasty. In order to determine the influence of Mi Fu on Mi Fu's calligraphy and painting review, he and his contemporary collectors Ouyang Xiu, Su Shi, Huang Tingjian, Xue Shaopeng and Liu Jing were investigated to find out the similarities and differences between them. The second part through the careful analysis of Mi Fu's book history, painting history, Baozhang to be interviewed, Baojin Ying Guang Ji, Hai Yue famous saying, Hai Yue topic Postscript, and so on, summed up Mi Fu calligraphy and painting collection and appreciation true rate, Nature, elegance and the aesthetic orientation of the Wei and Jin dynasties. The third part further analyzes the "Jin personality" in Mi Fu's aesthetic ideal, investigates the origin, development and overall influence of Mi Fu's thought of "worshipping Jin", and finally establishes Mi Fu's concept of calligraphy and painting criticism centered on "Jin Personality".
【学位授予单位】:广州美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J292.1
本文编号:2277739
[Abstract]:In this paper, Mi Fu "Book History", "painting History" and other works involved in calligraphy and painting review as the main research object, in the Northern Song Dynasty culture and the comprehensive prosperity of the background of the study. The first part of the article first clarifies the core category of "evaluation", then combs the origin and evolution of calligraphy and painting review from pre-Qin to Northern Song Dynasty, and summarizes the influence of calligraphy and painting review on the collection and evaluation of painting and calligraphy in Northern Song Dynasty. In order to determine the influence of Mi Fu on Mi Fu's calligraphy and painting review, he and his contemporary collectors Ouyang Xiu, Su Shi, Huang Tingjian, Xue Shaopeng and Liu Jing were investigated to find out the similarities and differences between them. The second part through the careful analysis of Mi Fu's book history, painting history, Baozhang to be interviewed, Baojin Ying Guang Ji, Hai Yue famous saying, Hai Yue topic Postscript, and so on, summed up Mi Fu calligraphy and painting collection and appreciation true rate, Nature, elegance and the aesthetic orientation of the Wei and Jin dynasties. The third part further analyzes the "Jin personality" in Mi Fu's aesthetic ideal, investigates the origin, development and overall influence of Mi Fu's thought of "worshipping Jin", and finally establishes Mi Fu's concept of calligraphy and painting criticism centered on "Jin Personality".
【学位授予单位】:广州美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J292.1
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