书法,当在学问与艺术之间探求
发布时间：2018-10-24 20:43
【摘要】：正自近代学术分科以来,中国传统学术的很多门类,在与西方学科的对应与参照下,逐渐找到了自己的学科属性和位置,进而完成了近代学术史上由"四部之学"向"七科之学"的转变。随着"美术"概念的引进,中西方绘画尽管有着不同的体系和表现手法,但总是可以进行学科对应的,在"一切以实用为目的"的学术背景下,中国传统绘画很快就找到并确立了自己的学科地
[Abstract]:Since the modern academic division, many branches of Chinese traditional learning have gradually found their own disciplinary attributes and positions under the corresponding and reference to the western disciplines. And then completed the modern academic history from "four departments of the study" to "seven branches of the study." With the introduction of the concept of "fine art", although Chinese and Western paintings have different systems and techniques of expression, they can always correspond to the subject. In the academic background of "all practical purposes", Chinese traditional painting soon found and established its own discipline
【作者单位】： 中央美术学院;青岛农业大学艺术学院;
【分类号】：J292.1
，
本文编号：2292505
[Abstract]:Since the modern academic division, many branches of Chinese traditional learning have gradually found their own disciplinary attributes and positions under the corresponding and reference to the western disciplines. And then completed the modern academic history from "four departments of the study" to "seven branches of the study." With the introduction of the concept of "fine art", although Chinese and Western paintings have different systems and techniques of expression, they can always correspond to the subject. In the academic background of "all practical purposes", Chinese traditional painting soon found and established its own discipline
【作者单位】： 中央美术学院;青岛农业大学艺术学院;
【分类号】：J292.1
，
本文编号：2292505
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