书法的文化诉求
发布时间：2018-11-20 07:45
【摘要】：正关于国展,乃至展厅文化,一直以来我持积极正面的评论。我认为它是当代艺术民主的集中体现。如果没有这种自由投稿公平竞争的评选机制,不可想象当代书法会是什么样子。从孔子"有教无类"到两汉知识下移,到孙中山"教育平等",这是中国文化中最早觉醒的民权民主意识,国展的机制沿袭了这一文脉。就当代艺术生态而言,展览文化是当代书法赖以生存与发展的
[Abstract]:I have always had positive comments on national exhibitions and even exhibition hall culture. I think it is a central embodiment of contemporary art democracy. Without such a free and fair competition, it is impossible to imagine what contemporary calligraphy would look like. From Confucius'"no class of education" to the movement of knowledge in Han Dynasty to Sun Zhongshan's "equality of education", this is the earliest awakening of civil rights and democracy in Chinese culture, and the mechanism of national exhibition follows this context. As far as contemporary art ecology is concerned, exhibition culture is the survival and development of contemporary calligraphy.
【分类号】：J292.1
[Abstract]:I have always had positive comments on national exhibitions and even exhibition hall culture. I think it is a central embodiment of contemporary art democracy. Without such a free and fair competition, it is impossible to imagine what contemporary calligraphy would look like. From Confucius'"no class of education" to the movement of knowledge in Han Dynasty to Sun Zhongshan's "equality of education", this is the earliest awakening of civil rights and democracy in Chinese culture, and the mechanism of national exhibition follows this context. As far as contemporary art ecology is concerned, exhibition culture is the survival and development of contemporary calligraphy.
【分类号】：J292.1
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