左宗棠书法艺术研究

发布时间：2019-04-02 04:03

【摘要】：左宗棠有大量的书法作品存世有手札、楹联、条幅等多种形式。从这些作品中可以看出左宗棠对篆、楷、行、草等书体都有研究。本文以研究左宗棠的书法艺术为主。首先从左宗棠的家庭状况和治学历程开始研究。左宗棠祖上世代都是以读书考科举的知识分子,古代的知识分子基本上是离不开读书写字。左宗棠从十二岁开始对书法产生兴趣。从古代开始书法都是靠家传为主,学习书法不仅可以考取功名,而且还能光耀家祖,同时学习书法在古代也是一种做人的标准,这是古代大部分家传书法所要达到的目标,如书法史上最有名的书法家父子王羲之和王献之。研究左宗棠书风形成的时代背景。将左宗棠放入到清代具体的社会文化环境背景中去研究,会发现左宗棠的书学思想受当时清代的理学思想和碑学运的影响。在清代提倡碑学运动,将书法取法分为碑派书法和帖派书法。阮元在《南北书派论》和《北碑南帖论》推崇北碑,对南帖进行批判。左宗棠也非常认同阮元的《南北书派论》和《北碑南帖论》,并继承阮元的碑学思想学习碑派书法。其次是分析左宗棠的书法作品,发现左宗棠学习书法是取法广博的,其书风是熔铸诸家书风的结果。具体结合左宗棠的多种书法作品分析,得出左宗棠的字如其人一样耿直、刚烈。从作品分析还得出左宗棠的书法受何绍基和苏东坡的影响。左宗棠与何绍基的书学之路基本是相同的,都是以篆隶融入行草书中,是碑帖相结合的书学思想。左宗棠学苏东坡却比苏东坡要显得清秀利索,从而可知左宗棠是在学苏东坡的书卷气,以自己的学识修养注入在自己的笔墨之中。他的经世致用的思想是离不开湖湘文化的影响,所以他的书法也是为他的经世致用服务的。在他的诗句中也可以看出左宗棠其中许多诗句是赠送给朋友的,有的诗句是向世人提倡经世致用之学,有的诗句体现了他反抗外侵的思想。最后,通过研究左宗棠书法艺术对现在书法专业的学者得到了很大的启示。第一学习书法要注重对传统技法的锤炼。第二需要要提高书法专业人的综合素养。现在书法创作都鼓励自创诗词楹联,所以学习书法不能只练字不增长学问。要增长学问,必须要多读书,文史、哲都是书法文化的根基。从左宗棠注重书法实用性中也体会左宗棠具有崇高的精神境界。像左宗棠那样,不只是为提高书法技法而学习书法,而是“汝果欲学诗,功夫在诗外”的方法加强本专业以外的素养。
[Abstract]:Zuo Zongtang has a large number of calligraphy works in various forms, such as handbooks, couplets, banners and so on. From these works can be seen that Zuo Zongtang to seal script, block letters, lines, grass and other books have been studied. This article focuses on the study of Zuo Zongtang's calligraphy art. First of all, Zuo Zongtang's family status and academic process began to study. Zuo Zongtang's ancestors were intellectuals who examined the imperial examination by reading and writing for generations, and the ancient intellectuals were basically inseparable from reading and writing. Zuo Zongtang began to take an interest in calligraphy at the age of twelve. Since ancient times, calligraphy has been mainly based on family history. Learning calligraphy can not only gain fame, but also shine on the ancestors. At the same time, learning calligraphy is also a kind of human standard in ancient times, which is the goal that most ancient family calligraphy should achieve. Such as the most famous calligrapher in the history of Wang Xizhi and Wang Xianzhi. To study the era background of Zuo Zongtang's book style formation. By putting Zuo Zongtang into the background of specific social and cultural environment in Qing Dynasty, it will be found that Zuo Zongtang's calligraphy thought was influenced by Neo-Confucianism thought and tablet movement in Qing Dynasty at that time. In Qing Dynasty, the movement of inscription was advocated, and calligraphy was divided into calligraphy of tablet school and calligraphy of post school. Nguyen Yuan praised the North tablet in the South-North Book School Theory and the North tablet South Tiet Theory, and criticized the South Post. Zuo Zongtang also very much agreed with Nguyen Yuan's "South-North Book School" and "North-North calligraphy School", and inherited Ruan Yuan's theory of tablet study to study tablet-school calligraphy. Secondly, by analyzing Zuo Zongtang's calligraphy works, it is found that Zuo Zongtang's study of calligraphy is extensive, and the style of calligraphy is the result of melting and casting all kinds of calligraphy styles. According to the analysis of Zuo Zongtang's various calligraphy works, Zuo Zongtang's characters are as straight and strong as his own. The analysis also shows that Zuo Zongtang's calligraphy is influenced by he Shaoji and Su Dongpo. Zuo Zongtang and he Shaoji's way of calligraphy is basically the same, both of them are combined with calligraphy thought of inscription and inscription. Zuo Zongtang to learn Su Dongpo is more elegant than Su Dongpo, so Zuo Zongtang is learning Su Dongpo's book spirit, with his own knowledge and cultivation injected into his pen and ink. His practical thought is inseparable from the influence of Huxiang culture, so his calligraphy is also for his practical use of the world. In his poems, we can also see that many of Zuo Zongtang's poems are given to his friends, some of them are to advocate the study of practical use of the world, and some of them reflect his thought of resisting the invasion of the outside world. Finally, through the study of Zuo Zongtang calligraphy art to the present calligraphy professional scholars get a lot of enlightenment. The first study of calligraphy should pay attention to the traditional techniques of hammering. The second need to improve the comprehensive literacy of calligraphy professionals. Calligraphy now encourages the creation of couplets and couplets, so learning calligraphy can not only practice characters without increasing knowledge. To grow learning, we must read more, literature and history, Zhe is the foundation of calligraphy culture. Zuo Zongtang also understands that Zuo Zongtang has a lofty spiritual realm in which he pays attention to the practicality of calligraphy. Like Zuo Zongtang, not only to improve calligraphy skills and learn calligraphy, but "Ruguo wants to learn poetry, kung fu outside poetry" method to strengthen the quality outside of this major.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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