清代碑学转向的革命意识

发布时间：2019-04-16 09:46

【摘要】：较之帖学,清代碑学是以革命者的姿态出现的,其革命性突出体现书体选择的集体转向、集体溯源和师法碑版的取法变革,即隶书复兴、追宗篆书、取法碑版三个方面。其碑学创制既重复古,尚质朴,刚健雄强;又重碑版,尚朴拙,金石重光;更重俗化,尚意趣,自由意识。以金石气息、高古朴拙的形式美,标举着他们尚"质"求"朴"的书学追求和革命精神,消解着清廷主导的雅正端庄、中庸合度的政治教化功能,寄寓着书家主体的艺术格调和平民情怀,彰显着清代书学刚健雄强的艺术趣味嬗变和变革图强的群体审美转向,代表着书学革命的正确方向。
[Abstract]:Compared with Teixue, the Qing Dynasty Stellistics appeared as revolutionaries, and its revolutionary reflected the collective turn of the choice of calligraphy, the collective tracing to the source and the change in the selection of Shifa tablet, that is, the revival of Li Shu, the pursuit of Zongzong seal script, and the taking of legal inscription. The creation of its steles not only repeats the ancient, but also simple, robust and strong; but also the tablet version, is still simple, stone heavy light; more secularizing, interest, freedom. With the aura of gold and stone, the formal beauty of high ancient simplicity marked their pursuit of calligraphy and revolutionary spirit of "quality" and "simplicity", dispelling the political education function of elegance, dignity and moderation dominated by the Qing court. The artistic style of the subject of calligraphers and the feelings of the common people show the evolution of the vigorous artistic taste of calligraphy in the Qing Dynasty and the change of the group aesthetic turn of the strong picture which represents the correct direction of the calligraphy revolution.
【作者单位】：华东师范大学中文系;
【基金】：国家社科基金重点项目(11AZD052)
【分类号】：J292.2-3

【参考文献】