论舞蹈诗《我们从洪湖走来》中对经典题材的选择和创作体验

发布时间：2018-02-13 12:10

本文关键词： 洪湖赤卫队舞蹈诗经典题材创作　出处：《北京舞蹈学院》2017年硕士论文　论文类型：学位论文

【摘要】：“对舞蹈作品的题材,有广义和狭义两种解释。广义的题材泛指舞蹈作品表现的生活范围,例如现代题材或历史题材、爱情题材或革命题材等;狭义的题材指作品中具体描写的生活现象。”1舞蹈诗《我们从洪湖走来》就是这样一部以红色经典“洪湖赤卫队”为母体,参照历史真实为题材的作品。同时,这一题材在其他艺术表现形式中已有成功范例,其中的人物形象、情景也深入人心,也可谓之经典题材。这一题材最初是以歌剧的形式搬上舞台,之后改编成电影、京剧唱段、大型电视连续剧甚至交响乐章等,却唯独没有一部以舞剧或舞蹈诗形式来表现的作品。所以,《我们从洪湖走来》是我对这一题材在表现形式(舞蹈诗)上所进行的一种尝试。然而,任何一种创作形式都只有在完成创作的最后一刻,才能形成它所谓的形式,面对真实的、历史的、革命的经典题材,因其深刻的思想性、既定的故事情节与经典的人物形象,一般都会选择以塑造人物形象或推进故事情节(矛盾冲突)进行结构创作。但我却想用舞蹈诗的形式,即在不虚化原有典型人物的情况下,淡化其矛盾冲突(不推进故事情节),转以情景推进的方式对这一题材进行创作体验,即“老题材,新做法”,努力朝着舞蹈诗的方向去进行实践,力求在把握经典题材深度的同时,又不失其再当下的广度,充分展示这一题材的舞性、诗性。所以,本论文便是根据自己创作舞蹈诗《我们从洪湖走来》过程中的实际情况,从选择题材、结构题材、表现题材的角度分析我在创作中对此题材的把握,论述我对经典题材的选择与创作体验。扎根经典,让舞剧(舞蹈诗)创作的立足点更加深厚牢固,同时又借助舞蹈的魅力,让经典焕发新的生机。
[Abstract]:"there are two interpretations of the subject matter of dance works: broad sense and narrow sense. Broad themes refer to the life scope of dance works, such as modern theme or historical theme, love theme or revolutionary theme, etc. The narrow theme refers to the specific life phenomenon described in the works. "1 the dance poem" We come from Honghu "is such a work in which the Red Lake Red Guard is the mother body and historical reality is the subject matter. At the same time, This theme has already been a successful example in other artistic forms, in which the characters and scenes are deeply rooted in the hearts of the people and can be described as classic themes. This theme was originally brought on stage in the form of opera, then adapted into a film, a Beijing opera choir. Large TV series, even symphonies, But not a single one in the form of a dance play or a dance poem. So, "We came from Honghu" was my attempt at this subject in the form of dance poetry. However, Any form of creation can only form its so-called form at the last moment when it is completed, facing the real, historical, revolutionary classic subject matter, because of its profound ideological content, established story plot and classic character image. I would generally choose to create a structure by portraying characters or advancing the story (conflict), but I would like to use the form of dance poetry, that is, in the case of not being a typical character. Desalinating its contradictions and conflicts (not advancing the story plot, turning to the creative experience of this subject in a situational way, that is, "old themes, new practices", and striving to practice in the direction of dance poems, I strive to grasp the depth of the classical theme at the same time, without losing its current breadth, and fully demonstrate the dance and poetry of this theme. Therefore, this paper is based on the actual situation in the process of writing dance poems "We came from Honghu". From the angle of choosing theme, structure theme and performance theme, I analyze my grasp of this theme in my creation, and expound my choice and creative experience of classical theme, take root in classic, let dance play (dance poem) create the foothold more deeply and firmly, At the same time, with the charm of dance, let the classic radiate new vitality.
【学位授予单位】：北京舞蹈学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.7

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