中国现代诗学中的性灵派——论徐志摩的诗学思想与诗论风格

发布时间：2018-01-07 18:45

本文关键词：中国现代诗学中的性灵派——论徐志摩的诗学思想与诗论风格　出处：《现代中文学刊》2017年01期 　论文类型：期刊论文

【摘要】：文学批评是否应该科学化?以诗话词话及小说评点为代表的更重兴会与妙悟的传统文学批评形态是否应当传承发扬?性灵化的文学批评在当今人文社会科学研究的总体格局中是否应有一席之地?这三个问题是关乎中国文学研究前途和中国现代文论话语建构的重要问题,值得关注和深思。现代诗人徐志摩主张诗歌是性灵的抒发,并以"活泼无碍"的创作境界作为自己的理想。与此相呼应,在文学批评与鉴赏层面,他高度推崇个性化的"整体领悟",而不是科学化的机械分析。本文认为,徐志摩既是中国现代文学中的性灵派,也是中国现代诗学中的性灵派,与明清性灵派相呼应,他可以说是新性灵派的代表人物。他的崇尚"性灵"的诗歌创作观,反对教科书式机械分析的文学批评观,以及"独抒性灵"、激情四射的散文体诗论有其不容忽视的价值,对于深思文学批评的科学化问题以及如何建构现代人文学的"中国话语"等问题,具有重要的启示意义。
[Abstract]:Should literary criticism be scientific? Should the traditional forms of literary criticism, represented by poetic words and comments on novels, be inherited and carried forward? Should the spiritual literary criticism have a place in the overall pattern of the study of humanities and social sciences? These three questions are the important issues concerning the future of Chinese literature research and the construction of discourse in modern Chinese literary theory. Xu Zhimo, a modern poet, holds that poetry is the expression of spirit. And take the creative realm of "lively without hindrance" as his own ideal. In response to this, in the literary criticism and appreciation level, he highly respected the individualized "whole comprehension". This paper holds that Xu Zhimo is not only the spiritual school in modern Chinese literature, but also the spiritual school in modern Chinese poetics, which echoes with the spirit school in Ming and Qing dynasties. He can be said to be a representative figure of the neo-spiritual school. His poetry creation view of advocating "spirit of nature", his literary criticism view of textbook mechanical analysis, and "the sole expression of spirit". The poetic theory of scattered style, which is full of passion, can not be ignored, and has important enlightenment significance for pondering over the scientific problems of literary criticism and how to construct the "Chinese discourse" of modern literature.
【作者单位】：澳门大学中文系;
【分类号】：I052
【正文快照】： 徐志摩的诗论不多,重要的有《汤麦司哈代的诗》《济慈的夜莺歌》《拜伦》《白朗宁夫人的情诗》《波特莱的散文诗》等数篇,除此之外,他在为《晨报副刊?诗刊》《新月》等所写的前言、后记、征稿启事如《诗刊放假》《征译诗启》等文中,以及在诗集的序跋、文学讲演和部分记人记事

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