论中国艺术生产主体向度的优先性

发布时间：2018-01-08 02:27

本文关键词：论中国艺术生产主体向度的优先性　出处：《文艺理论与批评》2016年02期 　论文类型：期刊论文

【摘要】：正进入新世纪以来,随着市场经济在中国社会中发挥越来越大的影响力,包括严肃艺术与娱乐艺术在内的艺术生产的商品属性越来越浓厚,票房、收视率等指标成为了艺术生产首要考虑的对象,甚至出现了片面注重艺术生产的商品属性而忽视审美属性等不良风气。马克思主义文学批评必须发挥对此种不良风气的批判功能,坚持艺术生产的主体向度优先即以人民为中心的生产导向。一马克思对资本一直秉持辩证的批判立场。马克思肯定了资本创造出"社会成员对自然界和社会联系本身的普遍占有",~([1])为人的自由而全面发展积累了丰富的物质基础与自由时间,使资本
[Abstract]:Since entering the new century, with the market economy playing a more and more important role in the Chinese society, including serious art and entertainment art, the commodity properties of art production become more and more strong, box office. Ratings and other indicators have become the primary consideration of the art production object. There has even appeared a bad atmosphere, such as paying one-sided attention to the commodity attribute of art production and neglecting the aesthetic attribute. Marxist literary criticism must play a critical role in this kind of bad atmosphere. Adhere to the principle of art production, that is, people-centered production orientation. One Marx has always been a dialectical critical position on capital. Marx affirmed the creation of capital. " Universal possession by members of society of the natural world and the social connections themselves ". (. [1) the accumulation of abundant material foundation and free time for the free and all-round development of human beings, so that the capital
【作者单位】：华中师范大学文学院;
【基金】：国家社科基金重大项目“马克思主义文学批评的中国形态研究”[11&ZD078]的阶段性成果
【分类号】：J0-02
【正文快照】： 进人新世纪以来,随着市场经济在中国社会中发挥越来越大的影响力,包括严肃艺术与娱乐艺术在内的艺术生产的商品属性越来越浓厚,票房、收视率等指标成为了艺术生产首要考虑的对象,甚至出现了片面注重艺术生产的商品属性而忽视审美属性等不良风气。马克思主义文学批评必须发挥对

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