郑振铎艺术史观研究

发布时间：2018-01-09 20:28

本文关键词：郑振铎艺术史观研究　出处：《西南大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文主要从郑振铎对艺术史的参与来探讨其艺术史观。郑振铎的艺术史成果非常丰富,他不仅发表了大量的艺术史论,收集编印出版了很多重要的图录,对国家文博事业也有极大的建树。他的一些艺术史观,对于我国文化艺术的发展方向有着很重要的指引,因而深入的研究其艺术史观是很有必要的。在此之前,郑振铎的研究大都被限定于文学领域。对他的艺术评论、艺术活动、博物馆等与艺术史相关的努力,史学界了解并不深。郑振铎不仅在学术界非常活跃,而且他的社会关系非常广,社会活动参与也非常多。这其中郑振铎对于艺术史的参与可以说对国家文化与艺术的发展有着很大的推动,对于建构国家的文化艺术事业做出很大的贡献。深入考察郑振铎一系列的艺术活动,探析其艺术史观,是很值得研究的课题。艺术作为构建国家文化的重要因素,是民族记忆的主要承担形式和重要载体之一,也是国家影响力兴衰的重要领域;尽管艺术主要来源于艺术家的创造,但更需要一个良性的生态环境,而良性的生态环境离不开国家的支持与建设。研究郑振铎为保护和弘扬民族文化遗产所做包括寻访、出版、编撰、宣传等的一系列事业,尤其是对流失海外所藏中国文物的保护与收集的思想,并且为其所做的努力,对于今天国家文化与艺术建设有一定的启发和影响。本论文分为四个部分。第一部分从郑振铎编撰的几部具有极大贡献的图录切入,从他编撰图谱的原因背景,以及这些图录对艺术史的影响来探讨,其中包括《中国历史图谱》、《域外所藏中国古画集》等。第二部分主要探讨郑振铎与中国版画的关系,从与鲁迅合作《北平笺谱》说起,以及他的《中国木刻画选集》与《中国木刻画史略》的编撰来探讨其艺术史观。第三部分主要内容是郑振铎与艺术史的出版,包括其参与主编的杂志,以及他的社会参与对艺术史产生的影响。第四部分内容是博物馆与艺术史的交集,主要讨论了郑振铎的博物馆思想以及他所做的一系列成果。最后进行总结归纳郑振铎艺术史观的影响。目前为止对于郑振铎的研究,只局限于一个文学活动家,对其在艺术方面所取得的成就没有进行深入的研究。在对其所取得的价值和地位的定位,也存在着较大的偏差。笔者以自身专业出发,以艺术史的视角考察研究郑振铎的艺术史观。然而偏于一隅的研究方式必然会使得最终的结果产生偏差,文史结合自是基础,多学科、多视角的综合考量也利于郑振铎研究整体的把握。本文需要通过大量的史料的阅读,如郑振铎自己对艺术史的著述的整理研究,以及对此时段美术史的整体把握,更多的原始资料的占有,通过对已有文献的整理,和对实际情况的结合,使得论文结论所具备的有效性得以增强。
[Abstract]:This article mainly discusses Zheng Zhenduo's view of art history from his participation in art history. Zheng Zhenduo's art history is very rich. He not only published a large number of art history theory, collected and printed a lot of important pictures. Some of his views on art history have a very important guide to the development of Chinese culture and art, so it is necessary to deeply study his view of art history. Zheng Zhenduo's research has been limited to the field of literature. His art criticism, art activities, museums and other efforts related to the history of art, the history of understanding is not very deep. Zheng Zhenduo is not only very active in the academic community. And his social relations are very broad, social activities are also very much, which Zheng Zhenduo for the participation of art history can be said to have a great impetus to the development of national culture and art. Make great contribution to the cultural and artistic cause of building a country. Deeply investigate Zheng Zhenduo's series of artistic activities and analyze his view of art history. As an important factor in the construction of national culture, art is one of the main forms and carriers of national memory, as well as an important field for the rise and fall of national influence. Although art mainly comes from the creation of artists, it needs a benign ecological environment. The benign ecological environment can not be separated from the support and construction of the state. The study of Zheng Zhenduo in order to protect and promote the national cultural heritage, including search, publication, compilation, publicity and a series of undertakings. In particular, the idea of protecting and collecting Chinese cultural relics that have been lost overseas, and the efforts made for them. This paper is divided into four parts. The first part is from Zheng Zhenduo's compilation of several great contributions to the picture, from his compilation of the reasons for the background. And the impact of these pictures on the history of art, including the "Atlas of Chinese History", "overseas collection of ancient Chinese paintings" and so on. The second part mainly discusses the relationship between Zheng Zhenduo and Chinese prints. From the cooperation with Lu Xun "Peiping Notes", as well as his "selected Chinese woodcut paintings" and "Chinese woodcut painting history" compilation to discuss its view of art history. The third part is mainly about the publication of Zheng Zhenduo and art history. Including the magazine he co-edited, and the influence of his social participation on the history of art. 4th part of the content is the intersection of museum and art history. This paper mainly discusses Zheng Zhenduo's museum thought and a series of achievements he has made. Finally, the author summarizes and summarizes the influence of Zheng Zhenduo's view of art history. So far, the study of Zheng Zhenduo is limited to a literary activist. There is no in-depth research on its achievements in art. There is also a big deviation in the positioning of its value and status. The author starts from his own specialty. To study Zheng Zhenduo's view of art history from the perspective of art history, however, the way of research in a corner will inevitably lead to deviation of the final result, the combination of literature and history is the foundation and multi-disciplinary. Comprehensive consideration of multiple perspectives is also conducive to Zheng Zhenduo's overall grasp of the study. This paper needs to be read through a large number of historical materials, such as Zheng Zhenduo's own works of art history collation and research. And the overall grasp of the art history of this period, the possession of more original materials, through the collation of the existing literature, and the combination of the actual situation, the effectiveness of the conclusion of the paper can be enhanced.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J120.9

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