20世纪以来中国对非洲艺术的认知

发布时间：2018-01-13 11:56

本文关键词：20世纪以来中国对非洲艺术的认知　出处：《浙江师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 百年的非洲艺术中国传播史折射出了近现代中国所走过的波澜壮阔的历程。社会的变革、时代的变迁无不在中国对非洲艺术的认知上找上深深的烙印。清末以来,有志之士为挽救中华民族于水火纷纷向西方学习,沉浸在西学东渐潮流中的中国并没有注意到非洲艺术,而那时遥远的非洲大陆同样被西方殖民主义者奴役欺压,毫无地位可言；即使有关于非洲艺术的一字半句,也都散见于中国介绍西方艺术的文献中；而当硝烟四起、战火纷飞时,中国更无法捕捉非洲艺术的魅力。中华人民共和国成立后,非洲也相继摆脱被奴役的历史,建立了一系列新兴国家,相似的历史命运与奋斗目标使相距遥远的中国与非洲紧紧联系在一起,开始了真诚的交往；中国对非洲人民的同情使非洲的艺术也备受关注,而中国的热情也使非洲艺术蒙上了一层政治的色彩。改革开放后,西方文化艺术思潮再一次蜂拥而至,此时非洲艺术不再受到特别的关注,中国对非洲艺术的认知逐步冷静独立、摆脱政治的影响,虽然与西方艺术在中国的流布相比,只是微乎其微,但毕竟如雨后春笋,逐步形成景致。历史进入了21世纪,短短几年的时间,非洲艺术在中国流布之广之深是以往任何时代都不能比拟的,中国不仅大量地介绍非洲艺术以及开始关注非洲艺术的学术研究,而且中国民众直接接触到了非洲艺术,一时间,非洲艺术展演活动在中国已经不再稀奇,网络与影视中有着无数的讯息,非洲艺术开始进入中国的课堂,中国也建立了非洲艺术研究机构。纵览中国对非洲艺术的介绍与研究,主要在于三个方面：非洲艺术的历史、非洲艺术的形态以及非洲艺术的观念。由于种种客观条件的限制,非洲艺术史还有很多无法解开的迷,留给人的只是断断续续、斑斑驳驳的印象；非洲艺术有着丰富多样的形态,种类众多、形式各异,同时非洲艺术又有突出的一面、独特的语言；非洲艺术有着强烈的宗教观念与广泛的社会涵义,但又具备理性的艺术观念与严谨的创作规律。研究者们针对这些问题展开了介绍与分析,各有不同的侧重与思考。中国一些民众也逐步了解到非洲艺术,但经过笔者长期的考察与集中的调查,证明了大众是不了解非洲艺术史的,对非洲艺术形态的认知也比较单一,认为非洲艺术的观念比较原始。通过梳理非洲艺术在中国传播的历史,分析中国对非洲艺术认知的历程与现状,可以看出中国介绍与研究非洲艺术有两个特点：对非洲艺术的介绍具有时代性的特征,对非洲艺术的研究具有非独立性的特征。中国对非洲艺术的介绍始终与时代紧密相连,近十几年来,基于大量的介绍与一定的接触,中国的非洲艺术研究开始起步,但是也应看到,国内很少专门针对非洲艺术展开学术研究,非洲艺术多出现在其它领域的研究中。本文运用文献法、调查访谈法、以及统计法等多种方法,梳理了20世纪以来非洲艺术在中国的传播历程以及中国对非洲艺术的认知历程,分析了学术界对非洲艺术的认知状况以及大众对非洲艺术的认知现状,总结出中国介绍与研究非洲艺术的特点,并就中国对非洲艺术的认知提出了一些思考。
[Abstract]:In the past century, the history of Chinese art in Africa reflects the magnificent process that modern China has gone through. Social changes and changes of the times are all deeply impressed by China's cognition of African art.
Since the late Qing Dynasty, a person of noble aspirations to save the nation veering have to learn from the west, immersed in the western learning in the trend of Chinese and paid no attention to African art, and then the distant Africa is also the Western colonialists enslave oppressed, no position at all; even if there is a word about African art, are scattered in the Chinese western art in the literature; and when the smoke in the flames of war, four, more Chinese cannot capture the charm of African art. After the establishment of People's Republic of China, Africa also have to get rid of the history of slavery, established a series of emerging countries, similar to the historical destiny and the goal to China and distant Africa are closely linked, begin to contact Chinese; for the African people sympathetic to the art of Africa is also of concern, but also the enthusiasm of the Chinese African art cast a Political color. After the reform and opening up, the western culture again at this time no longer stampede in African art, is of particular concern, China cognition of African art gradually calm, get rid of the influence of politics, although compared with the spread of Western art in China is very little, but after all, such as bamboo shoots after a spring rain gradually formed scenery. History. In twenty-first Century, a few years time, the African art is ever unmatched in China spread wide, Chinese not only a large number of academic research and the introduction of African art began to concern African art, and China people directly exposed to African art, for a time, the African Art Festival in Chinese it is no longer unusual, there are countless information networks and television, African art began to enter the Chinese class, Chinese also established African art research machine Structure.
The survey and study of African art China, mainly in three aspects: the history of African art, African art form and African art concepts. Due to various objective conditions, there are a lot of African art history cannot untie many people left, just off and on, mottled impression of African art; there are a variety of forms, many kinds of forms, at the same time, African art also has a prominent aspect, unique language; African art has a strong religious concept and extensive social meaning, but also has the law of rational art idea and rigorous creation. Researchers to address these issues are introduced and analyzed the emphasis, and thinking of different China. Some people also gradually understand African art, through long term observation and concentration, prove that mass is not understand African Art In history, the understanding of African art form is relatively simple, and the idea of African art is more primitive.
By combing the history of African art in Chinese communication, analysis of the history and current situation of China cognition of African art, can be seen Chinese introduction and study of African art has two characteristics: the introduction of African art has the characteristics of the times, the study of African art has not only set of features. China of African art has always been introduced closely connected with the times, in recent years, a large number of the introduction and a contact based on the study of African art Chinese started, but we should also see that few African art launched specifically for academic research, the research of African art appear in other fields.
Using the method of literature, investigation and interview, a variety of methods and statistics, African art communication process in China since twentieth Century and Chinese cognition of African art combs the course, analyzes the cognitive status of African art in academic circles and the mass of African art, summed up the characteristics of China introduction and study of African art, and some thoughts on China cognition of African art.

【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J120.9

【引证文献】