消费社会理论视域下当今中国图像文化的审美分析

发布时间：2018-01-23 21:36

本文关键词： 消费社会理论图像文化当今中国审美分析　出处：《喀什大学》2015年硕士论文　论文类型：学位论文

【摘要】：我们今天生活在“物的丰盛”时代,视觉和听觉更充分发挥着其直观优势成为人们获取信息最便捷、快速的方式。作为当今人们获取信息、获取感官刺激的重要文化类型,图像文化越来越成为人们日常生活中必不可少的组成部分,它占据着我们整个的生活空间,电影、电视、互联网、手机等图像文化载体成为当下最流行的视觉消费形式,它们成为人们生活中重要的消费品,可以说,当代意义上图像文化的发展离不开消费社会这个孵化器,正是消费社会为图像文化的繁荣发展提供了源源不断地动力支持,而图像文化又不断地补充与完善着消费社会的发展,图像文化与消费社会二者之间是密不可分又相互影响的关系。在消费社会中,图像文化借助日新月异的高新技术不断更新并改变着人们对世界的认知水平,同时,它也改变着人们的传统审美方式,人类的精神生产方式和满足精神愉悦的载体、手段、技巧都发生了巨大的变化。本论文基于鲍德里亚的消费社会理论,通过对消费社会理论视域下当今中国图像文化的现状进行梳理与总结,进而对其进行审美审视。从总体上来讲,本论文采用递进式的结构布局。首先,概括消费社会理论的主要论点和特点,它是本论文的立论基础。1970年,鲍德里亚的《消费社会》一书的问世,消费社会的概念得到更完整的界定。本文纵向梳理了鲍德里亚消费社会理论之前马克思关于消费的理论和西方马克思主义消费社会理论的发展,并以鲍德里亚的消费社会理论为主概括消费社会的特征,概括中国当前的消费社会现状,接着从这一现状中讨论它已经影响到了中国图像文化的生产。其次,在当今中国的背景下,图像文化已经成为我们日常生活中一种必不可少的消费品,它充斥在我们生活的各个角落,本文主要分析消费社会背景下当今中国图像文化的现状及表现景观,从审美属性、审美转向、审美取向和审美接受四个方面入手对消费社会理论视域下当今中国图像文化进行审美分析。图像文化更侧重于以直观的形象带给人们更直接的审美感受,它将我们对图像文化的审美过程由心理深层的凝神观照转为耳目视听的感官狂欢。最后,本文对消费社会理论视域下当今中国图像文化提出的审美反思,希望在客观的分析图像文化带给我们的利害关系上,对人们生活中所遇到的精神困境提出审美反思。人们虽然热衷于对图像文化的消费,热衷于图像文化提供的虚拟技术,但是我们应该辩证的看待图像文化所带来的一切,这里的审美反思并不是否定图像文化,而是要在消费社会背景下反思它所带来的负面效果,希望通过对图像文化客观正确的认识之后,给人们的现实生活提供一种新的认识,以此来探索新的意义与审美价值。
[Abstract]:Today, we live in the age of "the abundance of things". Vision and hearing have become the most convenient and rapid way for people to obtain information, which is the most convenient and rapid way for people to obtain information. Access to sensory stimulation of an important type of culture, image culture has increasingly become an essential part of people's daily life, it occupies our entire living space, movies, television, the Internet. The carrier of image culture such as mobile phone has become the most popular form of visual consumption, and they have become important consumer goods in people's lives. It can be said that the development of image culture in the contemporary sense can not be separated from the incubator of consumer society. It is the consumer society that provides continuous power support for the prosperity and development of the image culture, and the image culture constantly complements and consummates the development of the consumer society. Image culture and consumer society are inseparable and influence each other. In consumer society, image culture is constantly updating and changing people's level of cognition to the world with the help of new and high technology. At the same time, it has also changed people's traditional aesthetic way, human spiritual production mode and the carrier, means and skills of satisfying spiritual pleasure. This paper is based on Baudrillard's consumer society theory. Through combing and summing up the current situation of Chinese image culture in the perspective of consumer society theory, and then carrying on the aesthetic examination to it. In general, this paper adopts the progressive structure layout. First of all. It is the basis of this thesis. In 1970, Baudrillard's Consumer Society came out. The concept of consumer society has been defined more completely. This paper reviews the development of Marx's consumption theory before Baudrillard's consumption society theory and the western Marxist consumption society theory. And Baudrillard's theory of consumer society mainly summarized the characteristics of consumer society, summarized the current situation of consumer society in China, and then discussed from this situation it has affected the production of Chinese image culture. Secondly. Under the background of today's China, image culture has become an indispensable consumer goods in our daily life, it is full of in every corner of our lives. This paper mainly analyzes the current situation and performance landscape of Chinese image culture in the context of consumer society, from the aesthetic attributes, aesthetic turn. Aesthetic orientation and aesthetic acceptance of four aspects of the consumer society theory of contemporary Chinese image culture aesthetic analysis. Image culture is more focused on the intuitive image to bring people more direct aesthetic feelings. It changes our aesthetic process of image culture from the deep mental focus to the visual and audible sensory carnival. Finally, this article puts forward aesthetic reflection on the current Chinese image culture in the perspective of consumer society theory. I hope that in the objective analysis of the image culture bring us the interests of the spiritual dilemma people encounter in life aesthetic reflection. Although people are keen on the image culture consumption. Keen on the virtual technology provided by image culture, but we should dialectically look at all the image culture brought, here the aesthetic reflection is not to negate the image culture. But in the context of consumer society to reflect on its negative effects, hoping to provide a new understanding of people's real life through the objective and correct understanding of image culture. In order to explore the new significance and aesthetic value.
【学位授予单位】：喀什大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J01

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