论晚明艺术观念的美学精神

发布时间：2018-02-02 01:46

本文关键词： 美学精神艺术观念主情思潮世俗趣味主体意识　出处：《学术界》2017年05期 　论文类型：期刊论文

【摘要】：晚明特定的时代赋予其艺术观念以特定的美学精神。晚明艺术领域审美意识的大变迁,促使其社会审美趣味趋向世俗与感官享乐,大众审美渐成主流。艺术观念与活动中的主情思潮与浪漫主义精神、个性觉醒与主体意识的高扬以及市民趣味和世俗倾向等,构成晚明美学精神的主要内涵。而艺术观念上的多元融合与雅俗并举,既体现了晚明艺术的综合性特质,更彰显出晚明美学精神的开放品质。晚明艺术观念的美学精神包蕴着告别古典、走向近代的新的时代属性和近代气息,为向新的时代拓展从观念上和实践上准备了条件。
[Abstract]:The special era of the late Ming Dynasty endowed its artistic concept with a specific aesthetic spirit. The great changes of aesthetic consciousness in the field of art in the late Ming Dynasty promoted its social aesthetic taste towards secular and sensual enjoyment. The popular aesthetic has gradually become the mainstream. The trend of thought and romanticism in the artistic concept and activities, the awakening of personality and the promotion of the subjective consciousness, as well as the taste and secular tendency of the citizen, etc. Constitute the main connotation of the aesthetic spirit of the late Ming Dynasty, and the multi-integration of artistic concepts and the development of both elegant and vulgar, both reflect the comprehensive characteristics of the late Ming art. The aesthetic spirit of the late Ming art concept contains farewell to the classical, moving towards the modern era attribute and modern flavor. In order to expand into the new era from the concept and practice to prepare the conditions.
【作者单位】：安徽财经大学文艺学院;
【基金】：2016年度国家社科基金艺术学项目“晚明书画消费与文人生活”(16BA008)的阶段性成果
【分类号】：I01
【正文快照】： 一定时代的美学精神,都是这一特定时代艺术观念的体现和表达,也都是这一特定时代社会与历史发展的必然。笔者曾发表多篇文章,对于晚明社会转型时期这一特定背景影响下的晚明艺术的情感本性观念、文艺自娱的娱乐功用观念以及自由游戏的艺术创作观念等,均作过详细阐释[1]。所以,

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