古代“和”范畴的审美嬗变与传播价值

发布时间：2018-02-13 00:52

本文关键词： “和” 审美内涵重构对话　出处：《湖北民族学院》2017年硕士论文　论文类型：学位论文

【摘要】：纵观“和”范畴的研究脉络,其历史发展十分久远。“和”范畴最早萌芽于远古时期,在先秦时期渐趋成熟,在魏晋南北朝与唐朝时期得到不断发展,而后宋明理学在融汇佛道思想的基础上,对“和”思想进一步继承与发扬。“和”范畴构成了传统文化的重要底蕴,“和”思想不仅烛照于政治辅国的理念,也是道德伦理层面的重要行为准则。同时“和”范畴还具有思想哲学层面的本体论意义,对古代文学理论批评与诗论创作也产生了深远的影响。“和”是中国传统文化区别于异质文化的本质特征,把握“和”范畴的历史渊源,能够更好的总结“和”范畴的发展规律。首先,“和”范畴的纵向的发展轨迹以时间顺序为基点,其审美内涵呈现出“政和”、“仁和”、“天和”三个层面,并随着时间的发展逐渐嬗变为“和乐”、“和文”、“和人”三个维度;其次,“和”范畴的横向发展轨迹以儒佛道等传统哲学思想贯穿于历代的文论创作,“和”范畴实现了哲学意识与审美意识的汇通。研究古代“和”范畴的意义:对古代文论当代性价值而言,随着“和”范畴审美内涵与演变规律被不断的阐释与总结,为古代文论的现代转化与价值实现奠定基础;对当下古今文论对话而言,践行“和”范畴的审美生成规律,对当代中国文论范畴的转型与传播,实现文论话语的本土化,具有重要的现实意义与理论价值。
[Abstract]:Throughout the study of the category of "he", its historical development is very long. The category of "he" originated in ancient times, gradually matured in the pre-Qin period, and developed continuously in the Wei, Jin, Southern and Northern dynasties and the Tang Dynasty. After that, on the basis of merging Buddhism and Taoism, Song Ming formed an important connotation of traditional culture under the category of "harmony and further inheritance and development of thought." the concept of "harmony" not only illuminated the idea of political auxiliary country, but also formed an important part of traditional culture. It is also an important code of conduct at the moral and ethical level. At the same time, the category of "harmony" also has the ontological significance of the ideological and philosophical level. It also has a profound influence on the criticism of ancient literary theory and the creation of poetic theory. "he" is the essential characteristic of Chinese traditional culture which is different from the heterogeneous culture, and holds the historical origin of the category "he". First of all, the vertical development track of "he" category is based on the time sequence, and its aesthetic connotation shows three levels: "political harmony", "benevolent harmony" and "Tianhe". And with the development of time, it has gradually changed into three dimensions: "harmony and music", "harmony article" and "harmony person". Secondly, the horizontal development track of "he" category runs through the literary theory creation of the past dynasties with the traditional philosophical thoughts such as Confucianism, Buddhism and Taoism. The category "he" realizes the convergence of philosophical consciousness and aesthetic consciousness. In terms of the contemporary value of ancient literary theory, With the constant interpretation and summary of the aesthetic connotation and evolution law of "he" category, it lays a foundation for the modern transformation and value realization of ancient literary theory, and practices the aesthetic formation law of "he" category for the dialogue between ancient and modern literary theories. It has important practical significance and theoretical value for the transformation and dissemination of the category of contemporary Chinese literary theory and the localization of literary discourse.
【学位授予单位】：湖北民族学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I01

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