1946:“边疆音乐舞蹈大会”——七十年后值得钩沉的历史

发布时间：2018-03-02 06:13

本文关键词： 边疆音乐舞蹈大会影响力民族生存文化自信　出处：《北京舞蹈学院学报》2017年01期 　论文类型：期刊论文

【摘要】：1946年3月6日,由中央大学边疆研究会、西藏文化促进会、新疆同乡会、育才学校联袂合作,在重庆成功地推出"边疆音乐舞蹈大会"。这场晚会以巨大的社会影响力和文化创新价值载入中华民族舞蹈的史册。如今,创造这一历史的代表人物戴爱莲、彭松、隆徵丘等育才学校的教师们先后驾鹤仙逝,然而,他们创造的历史则值得后人不断回顾。在这场晚会的编导戴爱莲、彭松双双诞辰100周年和"边疆音乐舞蹈大会"发表70周年纪念日的年份,重新钩沉这段历史,审视其历史上的文化创新和社会影响力及其成因所在,对于反思当下我们民族舞蹈的舞台艺术在外显的"繁荣"局面之下,社会文化影响力却不足以匹配的根源所在,之于启迪中华民族舞蹈艺术的当下和未来建设与发展,增强文化创新精神具有重要的现实意义。
[Abstract]:In March 6th 1946, the Frontier Research Society of the Central University, the Tibet Culture Promotion Association, the Xinjiang Association of fellow townsmen and the School of Education, Successfully launched the "Frontier Music and Dance Conference" in Chongqing. The party was recorded in the history of Chinese dance with great social influence and cultural innovation value. Now, Dai Ailian, Peng Song, the representative figure who made this history, The teachers of Longzhengqiu and other schools of upbringing died one after another, but their history is worth recalling. Dai Ailian, director of this evening party, The two centenary years of Peng Song's birth and the 70th anniversary of the "Frontier Music and Dance Congress" rediscovered this period of history and examined its cultural innovation and social influence and its causes. To reflect on the "prosperity" of the stage art of our national dance at present, the social and cultural influence is not enough to match the root cause, which will enlighten the present and future construction and development of the Chinese dance art. It is of great practical significance to strengthen the spirit of cultural innovation.
【作者单位】：上海戏剧学院舞蹈研究院;中国艺术研究院舞蹈研究所;
【分类号】：J120.9

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