20世纪30年代“文艺自由论辩”评析

发布时间：2018-03-04 13:12

本文选题：世纪年代　切入点：文学与政治关系　出处：《学术交流》2017年04期 　论文类型：期刊论文

【摘要】：20世纪30年代发生在左联作家和自由主义文学家之间的著名文艺自由论辩,反映了中国传统文化中"文以载道"的经世致用文学思想、欧洲人道主义和启蒙主义以及马克思主义文艺理论对30年代文学与政治关系的影响。同时,文学政治化和工具化给整个20世纪带来了历史影响:这种趋势配合革命浪潮,反对国民党的文学专制,宣传革命思想,开阔作家创作题材和精神世界,但同时也有许多负面影响,如政治审美代替文学审美,把文学作为宣传工具导致作品的艺术水平下降,并在20世纪很长的一段时间内钳制了文学发展。
[Abstract]:In 1930s, the famous literary and artistic freedom debate between the Left-League writers and liberalism writers reflected the literary thought of "using literature to carry the Tao" in Chinese traditional culture. The influence of European humanitarianism and Marxist literary theory on the relationship between literature and politics in 30s. At the same time, the politicization and instrumentalization of literature had a historical impact on the whole of 20th century: this trend coincided with the tide of revolution. Opposing the Kuomintang's literary autocracy, propagating revolutionary ideas, and broadening the writers' subject matter and spiritual world, however, there are also many negative influences, such as political aesthetics replacing literary aesthetics, using literature as a propaganda tool, leading to a decline in the artistic level of the works. And in 20th century a long period of time to curb the development of literature.
【作者单位】：首都经济贸易大学文化与传播学院;台湾艺术大学艺术管理与文化政策研究所;
【分类号】：I0

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