文艺作品中怪物形象的生成及审美意义

发布时间：2018-03-06 02:37

本文选题：怪物形象　切入点：喀迈拉　出处：《广西师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：在比较文学领域,怪物形象属主题学和形象学研究范畴。异于我们日常生活体验的“怪物”(monster)审美文化史,可谓源远流长。作为外表“异化”的怪物形象,无论文艺作品的表现形式、内容等经历何种迭代更新,该形象始终不改“怪”的本性,并在漫长的文艺画卷中不断闪光。文艺作品的怪物形象生成与美学意蕴研究,不仅可以对受众审美的“重口味”现象做出一些合理解释,而且能够为现代各艺术领域不断创新、发展提供素材或思路,为历史、文化等研究批评者提供新颖的切入视角,尤其重要的是,论文题旨切合科技与人文关系大讨论的时代主题。本文通过对怪物形象历史嬗变的三个重要节点与类型——人兽合体的喀迈拉、弗兰肯斯坦和赛博格,对其发展脉络进行梳理和归纳,并探讨其在不同历史语境中的怪物形象的生成以及呈现的审美文化意义。为此,拟分为三部分来对该形象进行阐述：第一部分从古代艺术作品中的人兽同体的喀迈拉形象、现代科幻小说中的弗兰肯斯坦、当代科技与人文关联域的赛博格三个阶段的演变过程,来论述其产生渊源与维度,探讨其发展中的转折点以及在现代语境中的表现。第二部分对不同历史语境下怪物形象的生成问题进行探究,主要涉及三个维度：首先,从集体无意识维度来看,它是人类对于自然世界与超自然的想象；第二,从文化研究维度来看,它是归化与异化的“他者”想象；第三,从人文主义维度来看,它是人性与兽性的矛盾想象。第三部分侧重探讨怪物喀迈拉的神话与美学意蕴。怪物形象折射出神话思维,凝聚了人类在与自然、社会不断博弈抗争的过程所形成的悲剧精神,体现了“反常合道”的审丑美学,促发了人们对当代科技与人文关系的反思,以及对未来世界的期望。结语认为,怪物形象呈现出从古代神话到现代科幻小说,再到当代数字电子传媒不同载体的发展轨迹。这种怪异形象纠缠了人性与兽性,非但没有按常理被人类抛弃,反而历久而弥新,焕发出勃勃的生命力。总括而言,怪物生成具有多元维度,既有人类集体无意识的心理影响,又有历史文化的成因。怪物形象有着丰富的神话学与美学蕴含。怪物研究在当代科技与人文关系的问题上尤其具有思想启迪意义。
[Abstract]:In the field of comparative literature, monster image belongs to the study of subject science and imageology. Different from our daily life experience, "monster" has a long history of aesthetic culture. No matter what kind of iterative renewal of the forms and contents of literary and artistic works, the image always does not change the nature of "strange", and continues to flash in the long literary and artistic scroll.; the creation of Monster Image and the study of Aesthetic implication of Literary and artistic works, It can not only give some reasonable explanation to the phenomenon of "emphasis on taste", but also can provide materials or ideas for the continuous innovation and development of various fields of art, and provide a new angle of view for critics of history, culture and other research. In particular, the theme of the paper is suitable for the theme of the great discussion of the relationship between science and technology and humanity. This paper deals with the three important nodes and types of historical transmutation of monster image, namely, Kamala, Franken Stein and Cyberberg, which are the combination of human beings and beasts. Combing and summing up its development, and discussing the creation of monster image in different historical context and its aesthetic cultural significance. It is to be divided into three parts to elaborate the image: the first part is from the ancient works of art of human beings and beasts in the image of Kamala, the modern science fiction of Franken Stein, The evolution process of the three stages of the related domain of contemporary science and technology and humanity, to discuss its origin and dimension. The second part probes into the formation of monster images in different historical contexts, which mainly involves three dimensions: first, from the perspective of collective unconscious dimension. It is the human imagination of the natural world and the supernatural; second, from the perspective of cultural research, it is the "other" imagination of domestication and alienation; third, from the perspective of humanism, The third part focuses on the mythology and aesthetic implication of the monster Kamala. The image of the monster reflects the mythological thinking and condenses the tragic spirit of human being in the process of constantly competing with nature and society. It embodies the aesthetics of judging ugliness in "abnormal consonance", and promotes people's reflection on the relationship between contemporary science and technology and humanity, as well as the expectation of the future world. The conclusion holds that the image of monster appears from ancient mythology to modern science fiction. And then to the development trajectory of different carriers of modern digital electronic media. This strange image entangled human nature and animosity. Instead of being abandoned by human beings in accordance with common sense, it was a long time old and new and full of vitality. To sum up, The creation of monsters has multiple dimensions, which has the psychological influence of human collective unconscious. The monstrous image has rich mythology and aesthetic implication, and the study of monster is especially instructive on the relationship between contemporary science and technology and humanity.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I01

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