文学创造主体问题研究

发布时间：2018-03-06 07:47

本文选题：文学创造　切入点：主体　出处：《西北民族大学》2009年硕士论文　论文类型：学位论文

【摘要】： 文学创造主体问题,即关于文学活动中文本生产者的问题,是文学研究中最为核心的问题之一。笔者以文学创造主体这一极为重要问题为研究对象,试图以新的研究方法和视角重新审视、诠释传统问题,希望得出具有学术价值的新结论。本文对“主体”、“主体性”以及“作者”做了简单的界定,明确以文学创造主体为研究对象,紧紧围绕主体问题展开论述。笔者首先着眼于文学创造主体的生成过程,结合拉康和海德格尔的哲学理论,认为人类主体在生成后被存在打上了痛苦的烙印,必须到文学活动中去寻求解脱,这是主体进行文学创造活动的原因。之后笔者对多种带有形式主义色彩的文论流派进行了回顾,区分了一般语言形式和文学语言形式,比较了一般语言活动与文学语言活动,认为文学创造的具体方法是加工语言形式。以主体的相同需求与写作方式为前提,笔者将文学作品能够千姿百态的原因,解释为创造主体具有差异性,而这一差异又分为共时性差异和历时性差异两大类。最终,主体通过文学创造行为获得了最终的解脱,主体实现了对有限生命、语言惯例和意识形态的超越,在艺术世界里克服了现实世界的存在之苦。总之,文学创造主体通过文学创造活动,完成了常人所不能完成的事业,不仅使自己的灵魂得以涅磐,也带领全人类走在重返伊甸园的归家之途上。
[Abstract]:The subject of literary creation, that is, the producer of Chinese text of literary activity, is one of the most important problems in literary research. This paper attempts to re-examine and interpret traditional problems with new research methods and perspectives, hoping to draw new conclusions of academic value. This paper makes a simple definition of "subject", "subjectivity" and "author", makes clear that the main body of literary creation is the object of study, and focuses on the subject issue. First, the author focuses on the forming process of the subject of literary creation. Combining the philosophical theory of Lacan and Heidegger, it is believed that the human subject has been marked painfully by its existence after its creation, and must seek relief from literary activities. This is the reason for the subject's literary creation. Then the author reviews various literary schools with formalism, differentiates the general language form from the literary language form, and compares the general language activity with the literary language activity. The author thinks that the concrete method of literary creation is the processing of language form. On the premise of the same demand of the subject and the way of writing, the author interprets the reason why the literary works can be varied as the difference of the creative subject. The difference is divided into two categories: synchronic difference and diachronic difference. Finally, the subject obtains the ultimate liberation through literary creation, and the subject achieves the transcendence of limited life, linguistic convention and ideology. It overcomes the existence of the real world in the art world. In a word, the main body of literary creation, through literary creation activities, has accomplished what ordinary people cannot accomplish, which not only makes his soul Nirvana, but also leads all mankind to return to his home in the Garden of Eden.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I02

【共引文献】