关于艺术与哲学内在关系的思考

发布时间：2018-03-08 04:21

  本文选题：艺术　切入点：生存　出处：《河北学刊》2017年05期 　论文类型：期刊论文

【摘要】：艺术并不是自然发生的,而是源于艺术家作为独立的个体而自主选择、自我超越的生存。像哲学一样,艺术也包含三个相互贯通的要素,即创作、作品与吸纳。在哲学思考中寻求自我提升与在观赏形象时享受当下存在的满足,这是人的基本特性。这种特性在哲学家与艺术家的作品中可以传达和交流。相比之下,哲学思考中的某种可能性旨在吁求将其转化成真实的自我存在,而艺术却允许人们生活于一种完全无所承担的生活之中。就此而言,哲学思考乃是我在使自己的生命摆脱虚假生活所进行的思考,因此,它在哲学史上经常同无所承担的艺术进行斗争。当艺术通过哲学吸纳成为一种生存的功能,它便不再蜷缩于某个孤立的世界,也不再与人类的实存相隔绝,而成为人类在敞开的精神世界中进行无条件的自我澄明的一个因素。
[Abstract]:Art does not occur naturally, but it stems from the artist's survival as an independent individual and self-transcendence. Like philosophy, art also contains three interlocking elements, namely, creation. To seek self-improvement in philosophical thinking and to enjoy the satisfaction of being present in viewing images is a fundamental characteristic of human beings, which can be communicated and communicated in the works of philosophers and artists. A possibility in philosophical thinking is intended to be translated into a true self, while art allows people to live in a life that has no responsibility at all. Philosophical thinking is what I am thinking about to free my life from false life, and therefore, it often struggles with unshouldered art in the history of philosophy. When art is absorbed through philosophy into a function of survival, It is no longer huddled in an isolated world, no longer separated from the human being, but as a factor of unconditional self-clarification in the open spiritual world.
【作者单位】： 河北师范大学文学院;
【基金】：2013年度国家社会科学基金项目《雅斯贝斯艺术家论研究》(13BWW003)
【分类号】：J0-02
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本文编号：1582388