《论语》中“乐”的审美内涵探析

发布时间：2018-03-14 22:01

  本文选题：“乐”　切入点：审美内涵　出处：《青海师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：关于孔子美学中“乐”的内涵,历代文学家、美学家及文学美学评论者都有不同的界定。基于中国古代并没有美学这一独立学科,且大多理论均来源于西方,因此在融合发展的过程中,中国古代美学被赋予了众多不确定性的定义和内涵。即至今为止,中国美学并没有一个被普遍认同的固定性定义和内涵。孔子美学及其中“乐”的审美内涵更是如此。因此,笔者认为,在中国美学不断被重视和发展研究的今天,对孔子美学中“乐”的审美内涵的界定、阐释和总结是十分必要的。这不但有利于更深入地认识孔子美学,同时也对中国古代美学的进一步研究、发展和传承有着重要价值。因此,本文旨在立足于《论语》文本,对其中所涉及到的48个“乐”字(包括通乐的“说”字),从乐(yuè)和乐(lè)两方面进行审美内涵上的分类和阐述,并探讨孔子美学中的“乐”的美学思想对后世的重要影响和意义。本文除绪论之外,主要从以下三个方面展开论述:第一部分阐述“乐”(yuè)在《论语》中的审美内涵。主要阐述“乐”(yuè)的娱乐性和超越性两方面的审美内涵。娱乐性的审美内涵主要分为感觉上的享受和情感上的共鸣两部分;超越性的审美内涵则注重与诗、礼进行一定的比较研究,从而探讨区别于二者的“乐”(yuè)所具有的超越性的独特审美内涵。第二部分阐述“乐”(lè)在《论语》中的审美内涵。创新性地分别以人、艺术和自然为视角,探讨“乐”(lè)关于人生,关于文学艺术以及关于自然三方面不同的美学释义。第三部分则探讨孔子“乐”的美学思想对后世的影响与意义。从“乐”(yuè)、“乐”(lè)两方面进行积极性和消极性影响的分析和阐述。这对于当下所倡导的华夏民族审美品格的展现和传承有重要意义。
[Abstract]:The connotations of "music" in Confucius' aesthetics are defined differently by writers, aestheticians and literary aesthetic critics in different dynasties. Based on the fact that there was no independent subject of aesthetics in ancient China, and most of the theories originated from the West, Therefore, in the process of integration and development, ancient Chinese aesthetics has been endowed with many definitions and connotations of uncertainty. Chinese aesthetics does not have a fixed definition and connotation that is generally accepted. This is especially true of Confucius aesthetics and its aesthetic connotations of "music". Therefore, the author believes that, today, Chinese aesthetics is being paid more attention to and developed. It is necessary to explain and summarize the aesthetic connotation of "music" in Confucius aesthetics, which is not only conducive to a deeper understanding of Confucius aesthetics, but also to the further study of ancient Chinese aesthetics. Therefore, based on the Analects of Confucius text, this article aims at classifying and expounding the aesthetic connotations of the 48 "Yue" characters (including the "said" word of Tong Le) and the aesthetic connotations of Le Li Yu 猫 and Le Li l 猫, which are related to the Analects of Confucius and the Analects of the Analects of the Analects of Confucius (Analects of Confucius). In addition to the introduction, this paper discusses the important influence and significance of the aesthetic thought of "Yue" in Confucius' aesthetics on later generations. It mainly discusses the following three aspects: the first part expounds the aesthetic connotation of "Yue" in the Analects of Confucius. It mainly expounds the aesthetic connotations of "Yue" Yu 猫 's entertainment and transcendence. The aesthetic connotation of entertainment is mainly divided into two parts: the aesthetic connotation of "Yue" and the aesthetic connotation of "Yue Yu 猫" in the Analects of Confucius and the Analects of the Analects. For the feeling of enjoyment and emotional resonance of the two parts; On the other hand, the aesthetic connotation of transcendence pays much attention to the comparative study with poetry and propriety. The second part expounds the aesthetic connotation of "Yue" and "Yue" in the Analects of Confucius. The second part discusses the life of "Yue" and "Le" from the perspective of man, art and nature respectively and innovatively, from the perspective of man, art and nature, the second part expounds the aesthetic connotation of "Le" in the Analects of Confucius and the Analects of the Analects of Confucius. The third part discusses the influence and significance of Confucius' aesthetic thought of "music" on later generations. This is of great significance to the display and inheritance of the aesthetic character of the Chinese nation.
【学位授予单位】：青海师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I01
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本文编号：1613095