艺术人类学视野下的中国传统造型艺术

发布时间：2018-03-15 04:25

本文选题：艺术人类学　切入点：传统艺术　出处：《艺术探索》2016年02期 　论文类型：期刊论文

【摘要】：丰富的人类学田野调查资料表明,当今世界上各个国家以及地区生活着的人们都在不同程度上从事着具有各自特色和风格的造型艺术创作。中国在千年文明的不断繁衍传承的过程中,产生了丰富多彩、形式各异且流传悠久的造型艺术。如景德镇的陶瓷、贵州长角苗服饰的织绣纹样、山东农村地区的棉布纺织等,它们往往体现了制作者精湛的工艺制作水平,高度成熟的艺术表现手法,具有较高的艺术审美价值。不论从具体的表现形态还是特定的象征内涵上来说,中国传统造型艺术都具有独特的、鲜明的文化特质。然而,对比世界上其他地区传统艺术的研究成果便可发现,世界上不同民族的传统造型艺术,即便经历着迥然不同的发展历程、存在于千差万别的社会环境中,在艺术表现手法、抽象意义表达以及与之相关联的传统工艺制作水平等方面,都具有一定的共通特质。
[Abstract]:The wealth of anthropological fieldwork shows that. People living in various countries and regions of the world are engaged in plastic arts creation with their own characteristics and styles to varying degrees. China has produced rich and colorful in the course of the continuous multiplication and inheritance of a thousand years of civilization. The various forms of plastic arts, such as the ceramics in Jingdezhen, the embroidered patterns of Guizhou Longjiao clothing, and the cotton textile in the rural areas of Shandong, often reflect the exquisite craftsmanship of the producers. The highly mature artistic expression technique has the high artistic esthetic value. No matter from the concrete expression form or the specific symbol connotation, the Chinese traditional plastic arts all have the unique, the distinct cultural characteristic. By comparing the research results of traditional arts in other parts of the world, we can find that the traditional plastic arts of different nationalities in the world, even though they are experiencing very different development processes, exist in a very different social environment, and in their artistic expression techniques. Abstract meaning expression and the level of production of traditional technology have some common characteristics.
【作者单位】：中国艺术研究院艺术人类学研究所;
【分类号】：J05

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