中国传统戏剧“西渐”的误读与认同——以英译本《戏剧之精华》为例

发布时间：2018-03-18 07:15

本文选题：多元文化　切入点：中国传统戏剧　出处：《外语学刊》2017年02期 　论文类型：期刊论文

【摘要】：中国传统戏剧"西渐"走过由误读到认同的转折,《戏剧之精华》是转折的标志。本文梳理18世纪前期至20世纪前期中国传统戏剧与西方文化接触的历史过程,描述各个阶段的主要特征,分析促成转折的基本因素,转折与社会历史发展的内在联系,以及对中国文学、文化"走出去"的启示。本文认为,中国传统戏剧"西渐"的主要原因在于西方文化自身发展的需求及中国戏剧艺术价值两种因素的共同作用。这一发现对于中国戏剧"走出去"的启迪是"走出去"的翻译不能局限于自我文化立场,也应关注他者文化的关切,这种多元文化立场是当下中国戏剧再次"西渐"成功的前提。而且,中国文化"和而不同"的思想,给出中国戏剧翻译的哲学解释,并提升这一行为的思想境界。
[Abstract]:The essence of Drama is the symbol of the turning point. This paper combs the historical process of the contact between Chinese traditional drama and Western culture from early 18th century to early 20th century. This paper describes the main characteristics of each stage, analyzes the basic factors contributing to the turning point, the internal relationship between the turning point and the social and historical development, and the enlightenment to Chinese literature and culture "going global". The main reason of "westward spread" of Chinese traditional drama lies in the demand of the development of western culture itself and the joint action of two factors, namely, the value of Chinese drama art. The enlightenment of this discovery to Chinese drama "going out" is "going out". "cannot be limited to a self-cultural position. We should also pay attention to the concern of other cultures, which is the prerequisite for the success of Chinese drama once again. Moreover, the thought of "harmony but difference" in Chinese culture provides a philosophical explanation for the translation of Chinese drama. And elevate the ideological realm of this behavior.
【作者单位】：南开大学;
【基金】：国家社科基金项目“中国戏剧‘走出去’的翻译改写研究”(14BYY023)的阶段性成果
【分类号】：H315.9

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