幻化的现实——艺术创作的心灵化探寻
发布时间:2018-03-19 00:04
本文选题:心灵 切入点:幻化 出处:《首都师范大学》2009年硕士论文 论文类型:学位论文
【摘要】: 本文主要根据作者研究生阶段的艺术创作历程和知识储备为依据,以及针对在现代社会高度发展背景下当代艺术面临的种种问题的反思,试图通过作者的创作经验以及心灵成长轨迹来阐释探讨艺术创作和心灵的关系,由实践提升到理论高度即“艺术是幻化的现实,心灵的舞蹈”。 幻化和心灵都是看不见摸不着的,因此用大量的实证来解释这种不可言说性和不确定性。基于中国传统文化精神中的心论以及西方近现代艺术心理学,心灵哲学的发展成果为理论框架和背景加上大量的实证分析进行艺术创作的心灵化探寻。最后从人的心灵出发,将艺术的本质问题归结到对心灵的思考,将艺术创作视为心灵幻化的产物。
[Abstract]:This paper is mainly based on the artistic creation process and knowledge reserve of the author's postgraduates, as well as the reflection on various problems facing contemporary art under the background of the high development of modern society. This paper attempts to explain the relationship between artistic creation and mind through the author's creative experience and the track of mind growth, from practice to theoretical level, that is, "art is the reality of illusion, the dance of the soul". Disillusionment and mind are invisible, so a great deal of empirical evidence is used to explain the indescribability and uncertainty. Based on the theory of mind in the spirit of Chinese traditional culture and the modern art psychology in the West, The development achievement of philosophy of mind is the theoretical framework and background and a large number of empirical analysis to explore the soul of artistic creation. Finally, from the point of view of human mind, the essence of art is reduced to thinking about the soul. Regard artistic creation as the product of spiritual illusion.
【学位授予单位】:首都师范大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J02
【引证文献】
相关硕士学位论文 前1条
1 吴秀娟;3G多媒体运用中视觉泛化的美学表征[D];江西师范大学;2011年
,本文编号:1631911
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