论感性学中的审丑

发布时间：2018-03-19 19:24

本文选题：丑　切入点：艺术价值　出处：《西北大学》2009年硕士论文　论文类型：学位论文

【摘要】： 丑在20世纪猛然进入了人类习惯美的眼睛,打破了人类的审美定势。表面上,丑猝不及防的崛起,让艺术突然进入了一个审丑的时代。但事实上,丑是和美一起,诞生于人类感性活动开始的初期,并且参与了感性学发展的整个过程,呈现出一个从边缘到中心的过程,在19世纪末20世纪初才得以大放异彩,得到从所未有的重视。但在以往对丑的研究中,大多是将丑作为美的陪衬物来对待的,认为丑的作用还是在于衬托美,丑并没有取得自己独立的感性学价值。但我们应该看到的是,自丑诞生的那一天起,丑就具有自己的艺术特征,而这种否定批判性的特征也使丑具有了自己独立的艺术价值,而不是仅仅局限于对美的衬托。丑独特的艺术特征为审丑成为现实提供了可能性,而人类自身拥有着审丑方面的需求,这种审丑需求使丑的表现成为了一种必须。同时,我们应该看到审丑快感是不同于审美快感的,也不仅仅是抑丑扬美而引起的快感这么简单,是因为在文艺作品中审丑满足了人的情感需求,引起了欣赏者的共鸣,从而使欣赏者获得了一种审丑快感。既然丑自始至终都有着自身的特殊价值,但为什么丑直到现代才显露出自己的魅力?为什么说现代文艺是丑的艺术?为什么在此时才崛起成为一门独立的丑学?在这背后不仅有着深刻的社会背景,同时也和艺术自身以及哲学背景有着密切的联系。并且,我们可以看到,丑学在现代社会的崛起也带给我们新的启示,具有新的意义。
[Abstract]:In 20th century, ugliness suddenly entered the eyes of human being's accustomed beauty, and broke the human aesthetic stereotype. On the surface, the rise of ugliness intransitively made art suddenly enter an era of judging ugliness. But in fact, ugliness is the same as beauty. Born in the early stages of human sensibility, and taking part in the whole process of the development of sensibility, it presented a process from the edge to the center. It was only at the end of 19th century and at the beginning of 20th century that it was able to shine brilliantly. But in the previous studies of ugliness, most of them treated it as a foil of beauty, and thought that the function of ugliness is to set off beauty. Ugliness has not acquired its own independent perceptual value. But what we should see is that since the birth of ugliness, ugliness has its own artistic characteristics, and this negative-critical feature also makes ugliness have its own independent artistic value. The unique artistic features of ugliness make it possible to judge ugliness, and human beings have their own demand for judging ugliness, which makes the performance of ugliness a necessity. At the same time, We should see that appreciation of ugliness is different from aesthetic pleasure, nor is it simply the pleasure caused by suppressing ugliness and promoting beauty. It is because in literary works, appreciation of ugliness satisfies people's emotional needs and resonates with appreciators. So that the viewer gets a taste of ugliness. Since ugliness has its own special value from beginning to end, why does ugliness not reveal its charm until the modern? Why is modern literature and art ugly? Why did it become an independent science of ugliness at this time? There is not only a profound social background but also a close relationship with the art itself and the philosophical background. Moreover, we can see that the rise of ugliness in the modern society also brings us new enlightenment and new significance.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I01

【引证文献】